John McCormack: Alphabetical Listing

COMPLETE RECORDINGS OF JOHN McCORMACK

ALPHABETICAL LISTING

A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | Y

NOTES

This is a complete list of McCormack's recordings as cylinders, 78 rpm discs, broadcast transcriptions, recordings on film, and some few items available only on long-playing and compact discs. Only broadcast and film items known to be extant are included, although other broadcast and film recordings may well exist.
Extant recordings are shown in bold type. Information regarding titles published as 78 rpm recordings versus those which have survived as test pressings is given in the chronological sections of this discography, along with indications as to which of these latter items have been published on LP or CD.
Full credits for composers, lyricists, arrangers, etc. to the best of the editor's knowledge are given in this section. (Only composers are noted in the chronological sections of this discography.)
Selections are given in alphabetical order by title.
In the case of operatic arias, items are placed under the title of the opera. Opera titles are given in the original language of the opera, and arias are given in the language actually sung.
Matrix codes for Victor and HMV recordings allow one to distinguish between acoustic and electric recordings, and between 10 inch and 12 inch discs. The dividing point between the periods of acoustic and electrical recording falls at the beginning of 1925. Victor matrix numbers denote acoustic recordings with a prefix of "B" (10 inch) or "C" (12 inch). Electrical recordings also use this method of indicating the size of the matrix: "BVE" (10 inch) and "CVE" (12 inch). All recordings with other style matrix numbers from 1910 to 1942 were recorded by the Gramophone Company, unless noted as film originals or broadcast transcriptions. McCormack made studio recordings only in England for the Gramophone Company from 1932 to 1942, his last Victor recording sessions falling in 1931.
Further details about distinguishing amongst McCormack's recordings for different companies during different phases of his career may be found by consulting the guides to matrix and issue numbers for the various types of recordings:
- Cylinders , 1904-1906
- Odeon Recordings , 1906-1909 (Matrix numbers beginning "Lx" and "Lxx")
- Victor Recordings , 1910-1931
- HMV/EMI Recordings , 1904, 1910-1942
Information concerning re-issues of recordings on long-playing discs or compact discs may be accessed by returning to the Discography Index Page.
Information regarding the varying accompaniments for the recordings is given in the chronological sections of this discography.
Various persistent uncertainties about the credits of various songs are noted throughout this section. Corrections and additional information from those who have the sheetmusic for any item would be welcomed.
The guide to aural differences between similar takes of a given title (which was included in John McCormack - A Comprehensive Discography (Greenwood Press, 1986) is being revised and will be posted on this site at some future date.
Most browsers have a "Find" function, which will allow one to search for selections by particular composers, lyricists, etc.

Complete Recordings of John McCormack: Alphabetical Listing

A

Absent (Catherine Young Glen/John W. Metcalf)
- Lx 2430 (1907)
- B 14672-1 (4-7-14)
Adeste Fideles (Traditional)
- C 15849-1 (3-31-15)
- CVE 36606-1, -2 (10-1-26)
Ah! 1eve toi, soleil, see ROMEO ET JULIETTE
Ah Mimi, tu piu non torni, see LA BOHEME
Ah, Moon of My Delight (from "In a Persian Garden") (Omar Khayyam, trans. Edward Fitzgerald/Elizabetta Nina Mary Frederika Lehmann)
- C 10063-1 (3-16-11)
Ai nostri monti, see IL TROVATORE
AIDA: Celeste Aida (Antonio Ghislanzoni, after Camille du Locle and Auguste Mariette Bey/Giuseppe Verdi)
- Lxx 3173 (1909)
AIDA: Tutto e finito ... 0 terra addio (Tomb Scene) (Ghislanzoni/Verdi)
- C 14694-1, -2 (4-9-14), with Lucy Isabelle Marsh, soprano
Alba Nascente, see The Happy morning waits
All Alone (from "Music Box Revue," 4th Edition, words & music by Irving Berlin)
- B 31523-1, -2, -3 (12-17-24)
All'mein Gedanken ("Minnelied")(Traditional/Old German, arr. Sigfried Karg-Elert)
- BVE 37149-1 (17 December 1926)
- film 35mm, 70mm (1929)
All through the night ("Ar hyd y nos") (Walter Maynard, after traditional Welsh/Old Welsh Air: "Poor Mary Ann")
- OEA 8890-1 (10-25-40)
Allerseelen (Hermann von Gilm/Richard Strauss, Op. 10 No. 8)
- Bb 11339-1, -2 (9-1-27)
All'erta! All'erta! 0 tempio piu non, see FAUST (Trio)
Alma mia, see FLORIDANTE
An die Leier, see To the Lyre
Anakreons grab (Johann Wolfgang von Goethe/Hugo Wolf)
- Bb 21030-1, -2 (12-3-30)
Angels Guard Thee, see JOCELYN
Angel's Serenade (La Leggenda Volacca) (M.M. Marcello/Gaetano Braga)
- C 14623-1 (25 March 1914), with Fritz Kreisler, violin
Annie Laurie (Douglas/Scott)
- B 8683-1 (3-4-10)
- BVE 40177-1,-2 (10-13-27)
- broadcast (2-10-97)
Any Place is Heaven if You Are Near Me (Edward Lockton/Hermann Lohr)
- B 20019-1,-2 (6-7-17)
Ar Hyd e Nos, see All Through the Night
As I Sit Here (Dena Tempest/Wilfrid Sanderson)
- OB 5305-1, -2, -3, -4 (9-7-33)
Asthore (C. Clifton Bingham/Henry Trotere)
- C 11817-1 (2 April 1912)
At dawning (Nelle Richmond Eberhart/Charles Wakefield Cadman, Op. 29, No. 1)
- B 12704-1 (11 December 1912)
At the mid hour of the night (Thomas Moore/Old Irish Air: "Molly My Dear," arr. Stanford)
- OEA 9083-1 (28 January 1941)
ATALANTA: Come my beloved (Valeriani, adapted by Mrs. Rudolf Lehmann, writing as A. L./George Frederic Handel)
- Bb 5034-1 (4 September 1924)
ATTILA: Te sol quest'anima (Trio) (Temistocle Solera/Giuseppe Verdi)
- B 14692-1, -2 (9 April 1914)
Auch kleine Dinge (No.1, Italienisches Liederbuch I) (Anonymous Italian, translated by Paul Heyse/Hugo Wolf)
- OEA 2135-1 (28 June 1935)
Auf Flügeln des Gesänges, see On Wings of Song
Auld Scotch Sangs (Reverend Dr. Bethune/Jane Eliza Leeson)
- BVE 40178-1, -2 (13 October 1927)
Automne (Armand Silvestre/ Gabriel Urbain Faure, Op. 18, No. 3)
- OB 3852-1 (16 September 1932)
Ave Maria (Adapted from Luke 1:28, 42/Charles Gounod, after Johann Sebastian Bach, BWV 846)
- C 13234-1 (2 May 1913)
- C 14624-1 (25 March 1914), with Fritz Kreisler, violin
- C 14624-2 (31 March 1914), with Fritz Kreisler, violin
Ave Maria (Traditional/Peter C. Cornelius)
- Bb 20690-1, -2 (5 December 1930)
Ave Maria (Fred E. Weatherley/after "Intermezzo" from CAVALLERIA RUSTICANA by Pietro Mascagni)
- B 14652-1 (3-31-14), with Fritz Kreisler, violin
Ave Maria (Sir Walter Scott/ Franz Schubert, D. 839)
- C 14633-1 (25 March 1914), with Fritz Kreisler, violin
- CVE 49209-1, -1A, -2, -3 (27 November 1928)
Ave Verum Corpus (Traditional/Mozart, K.618, arr. Schmidt)
- OEA 9276-1, -2 (10 September 1942)
Avenging and Bright (Thomas Moore/Old Irish Air: "Mount of the Fenlands")
- Lx 2841 (1908)
Avourneen (E. Cecilia Fitzpatrick/Wilton King)
- Edison 13146 (9-12-04)
- 5923b (9-24-04)
- B 14673-1 (4-7-14)
Awakening of a Perfect Spring (A.Perceval Graves/Harold Fraser Simpson)
- Lx 2490 (1908)
Away in a Manger, see The Holy Child

B

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Baby Aroon (Words & Music by Vincent and M. O'Brien)
- OEA 2124-1, -2 (6-27-35)
Badoer questa notte ... 0 grido di quest'anima, see LA GIOCONDA
Ballynure Ballad (Traditional/Old Irish Air, arranged by Herbert Hughes)
- B 23904-1 (part of matrix) (4-2-20)
Bantry Bay (Traditional/Old Irish Air, arranged by James L. Molloy)
- BVE 56193-1, -2 (10-17-29)
- OEA 9459-1 (8-26-41)
BARBIERE DI SIVIGLIA: 0 il meglio mi ... Numero, quindici (Pierre-Augustin Beaumarchais/Gioacchino Rossini)
- 5205f (7-18-11), with Mario Sammarco, baritone
BARBIERE DI SIVIGLIA: Se il mio nome (Pierre-Augustin Beaumarchais/Gioacchino Rossini)
- B [no matrix]-1 (11-5-19) private recording
Bard of Armagh (Traditional/Old Irish Air, arr. Herbert Hughes)
- B 15421-1 (11-23-14)
- B 23792-1, -2 (3-30-20)
- broadcast (4-25-38)
- HMV OEA 8852-1, -2 (8-9-40)
Barefoot Trail (Marion Phelps/Alvin S. Wiggers)
- B 23901-1, -2 (4-1-20)
Battle Hymn of the Republic (Julia Ward Howe/William Steffe, arr. Noel Johnson)
- OEA 9667-1, -2 (12-16-41)
- OEA 9667-3 (12-23-41)
Bay of Biscay, see SPANISH DOLLARS
Beauteous Night, 0 Night of Love, see CONTES D'HOFFMAN
Beautiful Isle of Somewhere (Jessie B. Pounds/John S. Fearis)
- B 14669-1 (6 April 1914)
Because (English words by Edward Teschemacher, after French words by Helen Guy Rhodes, writing as Guy d'Hardelot/d'Hardelot)
- B 14671-1 (4-7-14)
Because I Love You (words and music by Irving Berlin)
- BVE 37148-1,-2 (12-17-26)
Before My Window (The Cherry Tree) (G. Galina, trans. Henry G. Chapman/Sergei Rachmaninoff, Op. 26, No. 10)
- Bb 5116-1, -2, -3 (9-24-24), with Fritz Kreisler, violin
- Note: possibly translated by Rosa J. Newmarch.
Beherzigung (Johann Wolfgang von Goethe/Hugo Wolf, No. 18)
- 2B 2276-1,-2, -3 (5-31-32)
Belgium Forever, see Forward Belgium
Believe Me If All Those Endearing Young Charms (Thomas Moore/Old Irish Air: "My Lodging is on the Cold Ground")
- Edison 13191 (9-12-04)
- 5882b, 6453a, 6464Ei (9-19-04)
- 6464WD2 (9-23-04)
- 5931b, 5932b (9-24-04)
- B 8537-1 (1-7-10)
- B 8537-2 (3-4-10)
- B 8537-3 (3-16-11)
- broadcast (2-10-33)
- OEA 2129-1, -2 (6-28-35)
- broadcast (8-20-35)
- film (1936)
Bella figlia dell'amore (quartet), see RIGOLETTO
Beloved I am Lonely (May Aidington/Harold Craxton)
- BVE 40167-1, -2 (10-11-27)
Ben Bolt (Thomas Dunn English/Nelson Kneass)
- B 14675-1, -2 (4-7-14)
Beneath the Moon of Lombardy (Edward Lockton/Harold Craxton)
- B 23758-1, -2 (4 March 1920)
Beneath the Quivering Leaves, see JOCELYN
Berceuse, see JOCELYN
Bird Songs at Eventide (Royden Barrie/Eric Coates)
- BVE 40166-1, -2 (11 October 1927)
Bitterness of Love (Shaemas O'Sheel/James Philip Dunn)
- Bb 21040-1, -2 (4 December 1930)
Bless This House (Helen Taylor/May H. Brahe)
- OB 3850-1, -2 (16 September 1932)
Blessed Hour of Prayer, see Silent Hour of Prayer
Blind Ploughman (Margaret Radclyffe-Hall/Robert Coningsby Clark)
- OEA 8823-1 (11 July 1940)
- OEA 9063-1, -2 (12-17-40)
BOHEME, LA: Ah mimi, tu piu non torni (Giuseppe Giacosa and Luigi Illica, after Henri Murger/Giacomo Puccini)
- C 8737-1 (23 March 1910)
BOHEME, LA: Che gelida manina (Giuseppe Giacosa and Luigi Illica, after Henri Murger/Giacomo Puccini)
- Lxx 2791 (1908)
- Lxx 2791-2 (1908)
- C 8589-1, -2 (1 February 1910)
BOHEME, LA: 0 Soave Fanciulla (Giuseppe Giacosa and Luigi Illica, after Henri Murger/Giacomo Puccini)
- B 14658-1, -2, -3 (2 April 1914), with Lucrezia Bori, soprano
- B 14658-4, -5 (8 April 1914), with Lucrezia Bori, soprano
BOHEMIAN GIRL, THE: When other lips (Then you'll remember me) (Alfred Bunn after Jules H. Vernoy de Saint-Georges/Michael William Balfe)
- Lx 2619 (1908)
- B 14677-1 (7 April 1914)
- B 14677-2 (11 May 1916)
- BVE 14677-3 (23 December 1925)
- film, 35mm, 70mm (1929) (second verse only)
Bonny Wee Thing (Robert Burns/Elizabetta Nina Mary Lehmann)
- B 14668-1, -2 (6 April 1914)
Boys of Wexford (Robert Dwyer Joyce/Old Irish Air, arr. J. J. Johnson)
- 613 (1906)
- Lx 1567 (1906)
Bridal Dawn (from "High Days and Holidays")(Helen Taylor/Easthope Martin)
- B 29873-1, -2, -3 (9 April 1924)
Brown Bird Singing (Royden Barrie/Haydn Wood)
- BVE 34176-1,-2 (23 December 1925)
By the Lakes of Killarney (Gerald Fitzgerald ? / Anna Case)
- OEA 9868-1 (26 May 1942)
- Note: Some sources give Alfred P. Graves as lyricist.
By the Shortcut to the Rosses (Nora Hopper/Old Irish Air, arr. C. Milligan Fox)
- BVE 41546-1, -2 (13 January 1928)
C

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Calling Me Back to You (Words & Music by Blanche Ebert Seaver)
- BVE 36376-1, -2 (30 September 1926)
- broadcast (1 January 1927)
Calling Me Home to You (Edward Teschemacher/Francis Dorel)
- B 21808-1, -2 (30 April 1918)
Calm as the Night, see Still As the Night
Candle Light (S. Shippey/Charles Wakefield Cadman)
- OEA 406-1 (24 August 1934)
Cantata BWV 4 (Bach), see Jesus Christ, the Son of God
Cantata BWV 147 (Bach), see Jesu, Joy of Man's Desiring
Cantata con Stromenti, see Praise Ye the Lord
Carmé
- B 16091-1, -2 (10 June 1915), with Fritz Kreisler, violin
CARMEN: Il fior che avevi a me (Henri Meilhac & Ludovic Halevy, after Prosper Merimée/Georges Bizet)
- Lx 2795 (in English) (1908)
- Lxx 3138 (1909)
- C 8538-1 (7 January 1910)
CARMEN: Parlé moi de ma mère, see CARMEN: Votre mère...
CARMEN: Votre mère avec moi ... Ma mère je la vois
- C 13028-1, -2 (28 March 1913), with Lucy Isabelle Marsh, soprano
- C 13028-3 (1 May 1913), with Lucy Isabelle Marsh, soprano
- C 13028-4 (1 May 1913)
Caro amor, see IL PASTOR FIDO
CAVALLERIA RUSTICANA: 0 Lola (Siciliana)(Guido Menasci & Giovanni Targioni-Tozzetti, after Giovanni Verga/Pietro Mascagni)
- Lx 2488 (1908)
- Note: Sung in English. Possibly translated by Fred E. Weatherley.
Champs paternels! Hébron douce vallée, see JOSEPH EN ÉGYPTE
Charm me Asleep (Robert Herrick/Wilfrid Sanderson)
- OB 3855-1 (16 September 1932)
Celeste Aida, see AIDA
Che gelida manina, see LA BOHEME
Cherry Tree, see Before My Window
Children's Prayer in Wartime, A (Joseph McCarthy/James F. Hanley)
- OEA 9870-1, -2 (26 May 1942)
- Note: Another source gives credits as Merrick Fifield McCarthy/Jacques Wolfe.
Child's Prayer, A (Laura Leycester/Pat Thayer)
- OEA 8321-1, -2 (30 November 1939)
Child's Song, A (from "A Masque") (Thomas Moore/Charles Marshall)
- Lx 2502 (1908)
- B 11816-1 (2 April (1912)
Chiudo gli occhi, see MANON
Christ in Flanders (Gordon Johnstone/Ward Stephens)
- B 23454-1, -2 (5 November 1919)
Christ in His Garden, see Legend: Christ in His Garden
CHRISTUS AM ÖLBERG: Jehovah, Hear Me (Franz Xaver Huber/Ludwig von Beethoven, Op. 85)
- CVE 58684-1 (27 February 1930)
CHRISTUS AM ÖLBERG: Jehova, Du Mein Vater (Franz Xaver Huber/Ludwig von Beethoven, Op. 85)
- CVE 58684-2 (27 February 1930)
CHRISTUS AM ÖLBERG: My Heart is Sore (Franz Xaver Huber/Ludwig von Beethoven, Op. 85)
- CVE 58685-1 (27 February 1930)
Christ Went Up into the Hills Alone Katherine Adams/Richard Hageman)
- CVE 38388-1 (4 May 1927)
CHRIST ON THE MOUNT OF OLIVES, see CHRISTUS AM ÖLBERG
CID, LE: 0 Souverain, 0 Juge, 0 Pere (Adolphe d'Ennery, Louis Gallet, and Edouard Blau, after Pierre Corneille/Jules Massenet)
- C 11831-1 (5 April 1912)
Cloths of Heaven (from "The Wind Among the Reeds")(William Butler Yeats/Thomas F. Dunhill)
- Bb 11347-1 (2 September 1927)
- OEA 2182-1 (23 July 1935)
Come Back My Love (Since First I Met Thee)(Sonny Miller/Bernard Grün, after "Romance in E-flat" by Anton Rubinstein)
- OEA 9656-1 (3 December 1941)
Come Back to Erin (John William Cherry/Charlotte Alington Barnard, writing as Claribel)
- 6468a (23 September 1904)
- 5934b (24 September 1904)
- 6450-I (3 November 1904)
- 6450-II, -III, -IV (10 November 1904)
- 682 (5 July 1906)
- Lx 1579 (1906)
- L 1580 (1906)
- B 8588-1 (1 February 1910)
Come In and Welcome (Words and Music by Kennedy Russell)
- broadcast (2 January 1937) (First Performance)
Come into the Garden, Maude (Alfred Tennyson/Michael William Balfe)
- C 15846-1 (30 March 1915)
Come My Beloved, see ATALANTA
Come Where My Love Lies Dreaming (words and music by Stephen Foster)
- B 14678-1, -2 (8 April 1914)
CONTES D'HOFFMAN: Beauteous night, O night of love (Barcarolle) (Jules Barbier/Jacques Offenbach)
- B 17655-1 (10 May 1916), with Fritz Kreisler, violin
Cradle Song 1915 (adapted from "Caprice Viennois")(Alice Mattullath/Fritz Kreisler)
- B 17672-1, -2 (11 May 1916)
Cradle Song, see 0 Men From the Fields
Croppy Boy, The (William McBurney/Old Irish Air)
- 615 (5 July 1906)
- Lx 1568 (1906)
- Note: Tune: "Cailin o cois tSiure me" (I am a girl from beside the river Suir). According to Nicholas Carolan, this is "the oldest dateable Irish melody" (16th century).
Crossroads (from "Show People") (words and music by Raymond Klagen, William Axt, and
- BVE 48191-1,-2 (21 November 1928)
Crucifix, The (F. W. Rosier/Jean Baptiste Faure)
- B 18391-1 (21 September 1916), with Reinald Werrenrath, baritone
- B 18391-2,-3 (8 June 1917), with Reinald Werrenrath, baritone
D

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Dai campi, dai prati, see MEFISTOFELE
Dawn Will Break (Lillian Glanville/Haydn Wood)
- OEA 9414-1, -2 (29 May 1941)
Dawning of the Day (P. W. Joyce/Old Irish Air, arr. N. Clifford Page)
- OEA 424-1, -2 (29 August 1934)
- film (Wings of the Morning) (1936)
Dear Little Shamrock (Andrew Cherry/William Shield)
- 6442-I (11-3-04)
- 6442-II, -III, -IV (11-10-04)
- 683 (7-5-06)
- Lx 1569 (1906)
- L 1581 (1906)
- B 8819-1 (4-8-10)
- Note: William Shield, 1748-1829, according to Nicholas Carolan, was an English theatrical composer. The title originally was "The Green Little Shamrock."
Dear Love, Remember Me (Harold Lake, writing as Harold Harford/Charles Marshall)
- B 12763-1 (1-3-13)
Dear Old Pal of Mine (Harold Robé/Gitz Rice)
- B 21811-1, -2 (5-1-18)
- BVE 41543-1, -2, -3 (1-13-28)
Del tempio al limitar, see LA PÊCHEURS DE PERLES
Desolation (from "Songs of the Chinese Poets")("Kao-Shih," A.D. 1700, translated by L. Cranmer-Byng/Sir Granville Bantock, Op. 2, No. 3)
- Bb 11336-1, -2 (9-1-27)
Devotion (? Wenda/Haydn Wood)
- BVE 32541-1, -2 (4-24-24)
Devout Lover (Walter Herries Pollock/Maude Valerie White)
- OEA 9479-1, -2 (10-6-41)
DON GIOVANNI: Il mio tesoro (Lorenzo da Ponte/Wolfgang Amadeus Mozart, K. 527)
- C 17647-1 (5-9-16)
Donna e mobile, La, see RIGOLETTO
Down by the Green Bushes, see The Green Bushes
Down By the Sally Gardens (William Butler Yeats/Old Irish Air: "The Maid of Mourne Shore," arr. Herbert Hughes)
- OEA 9085-1, -2 (1-28-41)
Down in the Forest (Spring, No. 2 from "A Cycle of Life") (Harold Simpson/Sir Landon Ronald)
- B 13035-1 (3-28-13)
Dream, A (Charles B. Cory/J. C. Bartlett)
- B 14675-1, -2 (7 April 1914)
Dream of Spring, A (from "Songs of the Chinese Poets")("Tsen Ts'an," A.D. 750, translated by L. Cranmer-Byng/ Sir Granville Bantock, Op. 2, No. 2)
- Bb 11337-1, -2 (1 September 1927)
Dream on Little Soldier Boy (from "Yip! Yip! Yaphank") (Jean Havez?/ W & M? by Irving Berlin)
- B 22253-1, -2 (9-24-24)
Dream Once Again (P. J. O'Reilly/William Henry Squire)
- B 28605-1, -2 (9-25-23)
Dreams (Fred E. Weatherley/Sir Francesco Paolo Tosti)
- B 17646-1 (5-9-16)
Drink to Me Only With Thine Eyes (Ben Jonson/Old English Air, setting by John Wall Calcott)
- C 8587-1, -2 (2-1-10)
- C 8587-3 (3-4-10)
- 2EA 2751-1, -2 (3-31-36)
Dryads and Sylvans, see THE TRIUMPH OF TIME AND TRUTH
Du Bist die Ruh' (Friedrich Rückert/Franz Schubert, D. 776)
- Cc 5030-1, -2 (9-4-24)
Du meines Herzens Krönelein ( ? Dahn/Richard Strauss, Op. 21 No. 2)
- Bb 11338-1, -2 (9-1-27)
E

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E lucevan le stelle, see TOSCA
Earl Bristol's Farewell (Traditional, arr. C.A. Lidgey)
- OEA 2127-1 (6-27-35)
ECHO (Christina R. Rosetti/Lord Henry Somerset)
- OEA 8808-1, -2 (6-19-40)
Eileen (Alanna Asthore)(from "Eileen")(Henry Blossom/Victor Herbert)
- B 19448-1, -2 (4-5-17)
Eileen Allanah ( (E. S. Marble/John Rodgers Thomas)
- 6469a (23 September 1904)
- 5938b, 5939b (26 September 1904)
- 6444-I, -II (3 November 1904)
- 6444-III, -IV (10 November 1904)
- B 13231-1 (2 May 1913)
EILEEN AROON (Thomas Davis/original tune by Dermot MacMurrough)
- Lx 3156 (1909)
- B 11824-1, -2 (3 April 1912)
Eily Mavourneen, see THE LILY OF KILLARNEY
ELISIR D'AMORE: Una furtiva lagrima (Felice Romani, after Eugène Scribe/Gaetano Donizetti)
- C 8536-1, -2 (7 January 1910)
Evening Song, An ("Good Night, Love, Good Night, Love")(Fanny A. Kemble, later Mrs. F.A.B. Butler/Joseph Blumenthal)
- C 10135-1 (30 March 1911)
Evening Song, The (Sidney Lanier/Henry Kimball Hadley, Op. 53, No. 7)
- B 15838-1, -2 (29 March 1915)
- B 15838-3 (30 March 1915)
Ever in My Mind (Helen Taylor/Kennedy Russell)
- OEA 2747-1 (31 March 1936)
- broadcast (19 November 1936)
F

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Fairy Glen, The (P.J. O'Reilly/Charles Marshall)
- Lx 3155 (1909)
Fairy Story by the Fire (from "Songs of Finland")(Angela Campbell-MacInnes/Oscar Merikanto)
- B 27045-1 (20 October 1922)
- Bb 11344-1, -2 (2 September 1927)
- film 35mm, 70mm (August 1929)
- BVE 58596-1 (21 February 1930)
Fairy Tree (M. Isabel Leslie, writing as Temple Lane/Vincent O'Brien)
- Bb 21027-1, -2, -3 (3 December 1930)
Faith (Anthony Mainwaring/Gerald F. Carne)
- OEA 8889-1 (25 October 1940)
Fallen Leaf (An Indian Love Song)(Virginia K. Logan/Frederick Knight Logan)
- BVE 38387-1, -2, -3 (4 May 1927)
Far Apart (Faith Van Falkenburgh-Vilas/Edwin Schneider)
- Bb 21028-1 (3 December 1930))
Far Away Bells (Douglas Furber/Westfell Gordon)
- BVE 36361-1, -2 (28 September 1926)
Farewell (My Fairest Child) (Charles Kingsley/Samuel Liddle)
- Lx 2431[-1], -2 (1907)
- B 11819-1
Farewell ("Abschied," from "Schwanengesang" (Ludwig Rellstab/Franz Schubert, D. 957, No.7)
- part of CVE 49213-1, -2, -3 (28 November 1928)
FAUST: All'erta! Allerta! (Trio) (Jules Barbier and Michel Carré, after Johann Wolfgang von Goethe/Charles Gounod)
- 4188f, 4190f (12 May 1910), with Nellie Melba, soprano & Mario Sammarco, baritone
FAUST: Salve dimora casta e pura
- C 8694-1 (10 March 1910)
FAVORITA, LA: Spir'to gentil (Alphonse Royer and Gustave Waez, Baculard Darnaud/Gaetano Donizetti)
- Lxx 3152[-1], -2 ( 1909)
Feldeinsamkeit (Hermann Almers/Johannes Brahms, Op. 86, No. 2)
- Bb 5095-1, -2 (19 September 1924)
FILLE DU REGIMENT, LA: Per viver vicino a Maria (Jules-Henri Vernoy de Saint-Georges and Jean-Francois-Alfred Bayard, Italian translation of the aria by McCormack/Gaetano Donizetti)
- C 8739-1 (23 March 1910)
First Rose of Summer (from "She's a Good Fellow")(Anne Caldwell/Jerome Kern)
- B 22692-1, -2 (16 April 1919)
Flirtation ("Des Fensterin") (English words by Alice Mattullath/Erik Meyer-Helmund)
- B 16092-1 (10 June 1915), with Fritz Kreisler, violin
FLORIDANTE: Alma mia, si, sol, tu sei (Paolo Antonio Rolli/George Frederic Handel)
- broadcast (18 September 1934)
Flow Gently, Deva (words and music by John Parry)
- C 18390-1, -2 (21 September 1916), with Reinald Werrenrath, baritone
- C 18390-3, -4 (8 June 1917), with Reinald Werrenrath, baritone
Foggy Dew, The ("Oh, a wane cloud was drawn o'er the dim weeping dawn")(An Ode to the River Shannon) (Alfred Perceval Graves/Old Irish Air, arr. Sir Charles Villiers Stanford)
- 5944b (26 September 1904)
- Lx 2842 (1908)
Foggy Dew, The ("A' down the hill I went one morn...")(E. Milligan/C. Milligan Fox, arr. Spencer Clay)
- B 12767-1 (3 January 1913)
For All Eternity (? Mazzoni/A. Mascheroni)
- B 17653-1 (10 May 1916), with Fritz Kreisler, violin
Forgotten (A Love Song of Poland)( ? Kavahaff?, or Anon.?/Eugene Cowls)
- B 16760-1 (10 November 1915)
FORTUNIO: J'amais lavieille maison grise (G. A. de Caillavet and Robert de Flers, after Alfred de Musset/André Messager)
- Bb 11341-1, -2 (2 September 1927)
- BVE 56190-1, -2 (16 October 1929)
Forward Belgium (Belgium Forever) (Belgium Forever)(Yvonne Townsend/Natalie Townsend)
- B 15418-1 (23 November 1914)
Fra poco a me ricovero, see LUCIA DI LAMMERMOOR
Friend o' Mine (Fred E. Weatherley/Wilfrid Sanderson)
- OEA 409-1 (24 August 1934)
From the Land of Sky Blue Waters (No. 1 from "Four American Indian Songs," Op. 45) (Nelle Richmond Eberhart/Charles Wakefield Cadman)
- B 13232-1 (2 May 1913)
Funiculi, Funicula (G. Turco/Luigi Denza)
- B 14679-1 (8 April 1914)
G

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Ganymed (Johann Wolfgang von Goethe/Hugo Wolf)
- 2B 2277-1, -2, -3 (31 May 1932)
Garden in the Rain (James Dyrenforth/Carroll Gibbons)
- BVE 51621-1, -2 (12 April 1929)
Garden Where the Praties Grow (Johnny Patterson/Old Irish Air, arr. Samuel Liddle)
- Bb 21036-1, -2 (4 December 1930)
- broadcast (10 February 1933)
- broadcast (17 March 1938)
Gateway of Dreams, The (J. Will Callahan/Granville English)
- BVE 48181-1, -2 (19 November 1928)
Gentle Maiden, The (from "Songs of Four Nations")(Harold Boulton, after Irish/Old Irish Air, arr. Arthur Somervell)
- OEA 8851-1, -2 (9 August 1940)
- broadcast (2 January 1942)
GIOCONDA, LA: Badoer questa notte ... 0 grido di quest'anima (Arrigo Boïto, writing as Tobia Gorrio, after Victor Hugo/Amilcare Ponchielli)
- 5204f, 5206f (18 July 1911), with Mario Sammarco, baritone
GIOIELLI DELLA MADONNA, I: T'eri un giorna ammalato (C. Zangarini and E. Golisciani/Ermanno Wolf-Ferrari)
- HO 201 af (15 July 1912), with Louise Kirkby-Lunn, contralto
Girl I Left Behind Me, The (Samuel Lover/Old English Air, harmonized by Max Vogerich)
- B 20028-1, -2 (8 June 1917)
Giunto sul passo, see MEFISTOFELE
God Be With Our Boys Tonight (Fred G. Bowles/Wilfrid Sanderson)
- B 21663-1 (5 April 1918)
- B 21663-2 (30 April 1918)
- B 21663-3 (1 May 1918)
God Bless America (words and music by Irving Berlin; lyric revised by McCormack)
- OEA 9666-1, -2 (16 December 1941)
- OEA 9666-3 (23 December 1941)
God Gave Me Flowers (M. Ashworth-Hope/Ernest Torrance)
- PBVE 61097-1, -2 (6 July 1931)
God Keep You Is My Prayer (David Arale/Lilian Ray)
- OEA 9082-1 (28 January 1941)
God Save Ireland (Timothy D. Sullivan/George F. Root)
- 612 (cylinder) (5 July 1906)
- Lx 1566 (1906)
- Notes: The tune is from the Root song, "Tamp, Tramp, Tramp."
God's Hand (Edward W. Bok/Old Dutch Air, arr. Josef Hoffmann)
- B 16763-1, -2 (10 November 1915)
Golden Love (Mary Mark Lemon/Milton Wellings)
- B 14670-1 (7 April 1914)
Goodbye (G. J. Whyte-Melville/Sir Francesco Paolo Tosti)
- C 13219-1 (1 May 1913)
Goodbye, Sweetheart, Goodbye (Folkstone Williams/John Liptrot Hatton)
- Lx 3169 (1909)
- B 13233-1 (2 May 1913)
Green Bushes (Traditional/Old Irish Air)
- OEA 9458-1 (26 August 1941)
Green Isle of Erin, The (C. Clifton Bingham/Joseph Leopold Roeckel)
- 13153 (12 September 1904)
- 5926b, 5927b (24 September 1904)
- 6443-I, -II (3 November 1904)
- 6443-III, -IV (10 November 1904)
- Lx 1576 (1906)
- Lxx 3160 (1909)
- C 11818-1 (2 April 1912)
- C 11818-2 (5 April 1912)
- 2EA 2748-1 (31 March 1936)
Green Pastures (Helen Taylor/Wilfrid Sanderson)
- OEA 419-1,-2 (29 August 1934)
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Hail, Glorious Saint Patrick (attrib. Sister Agnes/Henry Frederick Hemy)
- broadcast (17 March 1938)
Happy Morning Waits, The (E. Comitti, trans. M.L. Baum/Attillo Parelli)
- B 10136-1 (30 March 1911)
- B 10136-2 (31 March 1911)
Hark! Hark! the Lark! ("Horch, horch, die Lerch!" (William Shakespeare/Franz Schubert, D. 889)
- CVE 49214-1, -2 (partial matrix) (28 November 1928)
- CVE 49214-3 (partial matrix) (6 December 1928)
- CVE 49214-4, -5 (partial matrix) (7 December 1928)
Harp That Once Through Tara's Halls, The (Thomas Moore/ Old Irish Air: "Gramachree")
- 6472a (23 September 1904)
- B 11833-1 (5 April 1912)
- Bb 21037-1 (4 December 1930)
Has Sorrow Thy Young Days Shaded (Thomas Moore/Old Irish Air: "Sly Patrick," arr. Thomas Moore)
- 5940b (26 September 1904)
- Lx 2840 ( 1908)
- C 8753-1 (25 March 1910)
Heavy Hours are Almost Past, The (George Lyttelton/William Boyce)
- broadcast (18 October 1933)
Here in the Quiet Hills (P. J. O'Reilly/Gerald F. Carne)
- OEA 9657-1, -2 (3 December 1941)
Herr, was trägt der Boden hier? (No. 9 from "Spanisches Liederbuch I")(Anonymous Spanish, trans. Paul Heyse/ Hugo Wolf)
- BRC-HQ 34-1, -2 (2 November 1931)
- OEA 2134-1 (28 June 1935)
Holy Child, The (Traditional/William J. Kirkpatrick)
- BVE 37147-1, -2 ( 17 December 1926)
- broadcast ( 1 January 1927)
Holy City, The (Fred E. Weatherley/Stephen Adams)
- B 12709-1 (11 December 1912)
Holy God We Praise Thy Name ("Te Deum laudamus") (Traditional/Clarence A. Walworth)
- B 29870-1, -2 (9 April 1924)
Holy Night Holy Night ("Nacht und Traume") (Matthäus von Collin/Franz Schubert, D. 827)
- CVE 49237-1, -2, -3 (partial matrix) (6 December 1928)
Home to Athlone (C. Clifton Bingham/Edwin Greene)
- 10085-A, -B, -C, -D (2 October 1905)
Honor and Love (from "Monsieur Beaucaire")(Adrian Ross/André Messager)
- B 23756-1, -2 (4 March 1920)
Horch! Horch! Die Lerche!, see Hark! Hark! The Lark!
Hour of Love (R. H. Elkins/R. Barthelmy)
- B 15840-1 ( 29 March 1915)
House Love Made for You and Me, A (Gordon Johnstone/Eric Coates)
- OEA 425-1 ( 29 August 1934)
How Fair This Spot (G. Galina, trans. Rosa Newmarch/Rachmaninoff, Op.21 #7)
- Bb 5101-1, -2 ( 19 September 1924)
Hurdy Gurdy Man, see The Organ Grinder
Hymn to Christ the King (F. P. Donelly/Vincent O'Brien)
- 2B 3419-1, -2 (27 May 1932)
I

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I Feel You Near Me (Joseph McCarthy/James F. Hanley)
- film, 35mm, 70mm (1929)
- BVE 58587-1, -2 (19 February 1930)
- BVE 58587-3 (21 February 1930)
I Hear a Thrush at Eve (Serenade)(Nelle Richmond Eberhart/Charles Wakefield Cadman)
- B 13218-1, -2 (1 May 1913)
I Hear You Calling Me (Harold Lake, writing as Harold Harford/Charles Marshall)
- Lxx 2852 (1908)
- Lxx 2854 (1908)
- B 8695-1 (10 March 1910)
- B 8695-2 (16 March 1911)
- B 8695-3 (16 June 1921)
- BVE 40172-1, -2 (12 October 1927)
- film, 35mm, 70mm (1929)
I Know of Two Bright Eyes ("Myrra")(No. 4 from "Songs of the Turkish Hills")(Abdul Mejid/George H. Clutsam)
- Lx 2845 ( 1908)
- B 11823-1 ( 3 April 1912)
- OB 3856-1 ( 16 September 1932)
- OB 5310-1, -2, -3, -4 ( 13 September 1933)
I Look Into Your Garden (Charles Wilmott/Haydn Wood)
- BVE 32539-1, -2 (24 April 1925)
I Love to Hear You Singing (Glanville/Haydn Wood)
- BVE 51613-1, -2 (10 April 1929)
I Met an Angel (Bruce Sievier/Reginald Morgan)
- OEA 2131-1, -2 ( 28 June 1935)
I Need Thee Every Hour (Annie S. Hawkes/Robert Lowry)
- B 14695-1, -2 (9 April 1914)
I Saw From the Beach (Thomas Moore/Old Irish Air: "Miss Molly," arr. Herbert Hughes)
- Bb 5119-1, -2, -3, -4 (24 September 1924), with Fritz Kreisler, violin
I Sent My Love Two Roses (Col. John Hay/Harold Fraser Simpson)
- Lx 2545 (1908)
I Wait Beneath Thy Window, Love, see Serenata
Ideale (C. Errica/Sir Francesco Paolo Tosti)
- Lx 3157 ( 1909)
- B 21813-1, -2 (1 May 1918)
If I Knock the "L" Out of Kelly (sung by Cyril McCormack with John joining in chorus)
- Victor matrix, private, no number (9 May 1917)
If I Should Fall in Love Again (Sam M. Lewis and Joe Young/Bert Grant)
- broadcast (1940)
II fior che avevi a me, see CARMEN
II mio tesoro, see DON GIOVANNI
I'll Sing Thee Songs of Araby (William Gormon Wills/Frederic Clay)
- Lx 2796[-1], -2 (1908)
- B 12760-1 (2 January 1913)
I'll Walk Beside You (Edward Lockton/Alan Murray)
- OEA 8323-1, -2 (30 November 1939)
- broadcast (1940)
- broadcast (2 January 1942)
I'm Falling in Love With Someone (from "Naughty Marietta") (Rida Johnson Young/Victor Herbert)
- C 10062-1 (16 March 1911)
- B 10062-1 (17 March 1911)
Immenso vienteso ... A vien al boscaglia, see LAKME
In a Persian Garden, see Ah, Moon of My Delight
In an Old Fashioned Town (Ada Leonore Harris/William Henry Squire)
- B 18386-1, -2 ( 20 September 1916)
Indiana Moon (Benny Davis/Isham Jones)
- B 29864-1, -2 (8 April 1924)
In Flanders' Fields (Lieutenant Colonel John McCrae/Frank Tours)
- B 22254-1 (24 September 1918)
In her simplicity, see MIGNON
In Old Madrid (C. Clifton Bingham/Henry Trotère)
- C 18389-1 (20 September 1916)
In Sweet Content (Louise MacDermaid/Wilfrid Sanderson)
- OEA 2746-1 -2 (31 March 1936)
In Waldeseinsamkeit (Lemcke/Johannes Brahms, Op. 85, No. 6)
- Bb 5032-1, -2 (4 September 1924)
Ireland, Mother Ireland (P. J. O'Reilly/Raymond Loughborough)
- film, 35mm, 70mm (1929)
- BVE 56192-1, -2 ( 17 October 1929)
- BVE 56192-3, -4 ( 21 February 1930)
Ireland, My Sireland (from "Eileen")(Henry Blossom/Victor Herbert)
- B 19447-1, -2 (5 April 1917)
Irish Emigrant, The (Helen Selina, later Lady Dufferin/G. A. Barker)
- 13145 (12 September 1904)
- 6470a (23 September 1904)
- 5943b (26 September 1904)
- C 10060-1 (16 March 1911)
- BVE 41544-1, -2 (13 January 1928)
Is She not Passing Fair? (Charles, Duke of Orleans, trans. Louisa Stuart Costello/Sir Edward Elgar)
- OB 3853-1 (16 September 1932)
Isle of Beauty (Shades of Evening Close not O'er Us) (Thomas Haynes Bayley/ ? )
- broadcast (10 February 1933)
It's a Long Way to Tipperary (Jack Judge/Harry Williams)
- B 15415-1, -2 (23 November 1914)
It's a Long Way to Tipperary (sung by Cyril McCormack with John joining in chorus)
- [Victor matrix] private recording (31 March 1915)
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Jeannie With the Light Brown Hair (words and music by Stephen Foster)
- OEA 412-1, -2 (24 August 1934)
Jeannine, I Dream of Lilac Time (from "Lilac Time")(L. Wolfe Gilbert/Nathaniel Shilkret)
- BVE 48179-1, -2, -3 (19 November 1928)
Jehova, Du mein Vater, see CHRISTUS AM ÖLBERG
Jehovah, hear me, see CHRISTUS AM ÖLBERG
Jerusalem (William Blake/Sir Charles Hubert Hastings Parry)
- OEA 9497-1 (6 November 1941)
Jesu, Joy of Man's Desiring (from Cantata BWV 147, "Herz und Mund und Tat und Leben") (Words by Salamo Franck, trans. Robert Bridges/Johann Sebastian Bach, arr. Dame Myra Hess)
- OEA 9100-1 (6 March 1941)
Jesus Christ, the Son of God (from Cantata BWV 4, "Christ lag in Todesbanden")(trans. Paul England/Johann Sebastian Bach, edited West)
- OEA 9099-1, -2 (6 March 1941)
Jesus, My Lord, My God, My All (Rev. Frederick William Faber/Sir Joseph Barnby)
- B 27031-1, -2 (17 October 1922)
- B 27031-3, -4 (20 October 1922)
JOCELYN: Beneath the Quivering Leaves (Berceuse) (From words by Armand Sylvestre and Victor Capoul, trans. S. J. O'Reilly/Benjamin Godard)
- C 14626-1 (25 March 1914), with Fritz Kreisler, violin
JOSEPH EN ÉGYPTE: Champs Paternels! (Alexandre Duval/Etienne-Nicolas Méhul)
- C 20898-1, -2 (23 October 1917)
June Brought the Roses (Ralph Stanley/John Openshaw ?)
- BVE 32536-1, -2 (23 April 1925)
- Note: Composer has also been listed elsewhere (notes to Pearl GEMM CD 9970) as "John Morrow," a pseudonym of Easthope Martin.
Jungling an der Quelle, Der (J. G. von Salis-Seewis/Franz Schubert, D. 300)
- B 28611-1 (26 September 1923)
Just a Corner of Heaven to Me (Ballard MacDonald and Karl Stark/James F. Hanley)
- BVE 56189-1, -2 (16 October 1929)
Just a Cottage Small (Buddy G. De Sylva/James. F. Hanley)
- BVE 33819-1, -2, -3 ( 27 October 1925)
Just for Today (Sybil F. Partridge/Blanche Ebert Seaver)
- BVE 36363-1, -2 (28 September 1926)
- film, 35mm, 70mm (1929)
- broadcast (10 February 1933)
- broadcast ( 11 October 1936)
- broadcast (1 February 1937)
K

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Kashimiri Song (No. 3 of "Four Indian Love Lyrics" from "The Garden of Kama")(Lawrence Hope/Amy Woodforde-Finden)
- OEA 8820-1 (1 July 1940)
Kathleen Mavourneen (Annie Barry Crawford/Frederick Nicholls Williams Crouch)
- 5946b, 5947b (26 September 1904)
- 6446-I, -II ( 3 November 1904)
- 6446-III, -IV (10 November 1904)
- Lx 1577[-1], -2 ( 1906)
- C 10061-1 (16 March 1911)
- CVE 39889-1, -2, -3 (11 October 1927)
- broadcast (10 February 1933)
- Note: Some sources give lyricist as Julia Mary Crawford)
Keep the Home Fires Burning (Lena Guilbert Ford/Ivor Novello)
- B 20017-1, -2 (7 June 1917)
Kerry Dance, The (words and music by James Lyman Molloy)
- C 17648-1 (9 May 1916)
- 2EA 2749-1, -2 (31 March 1936)
Killarney (Edmund O'Rourke, writing as Edmund Falconer/ Michael William Balfe)
- 13152 (12 September 1904)
- 6466a (23 September 1904)
- 5930b, 5933b (24 September 1904)
- 6445-I, -II (3 November 1904)
- 6445-III, -IV (10 November 1904)
- Lx 1582 (1906)
- C 8594-1 (3 January 1910)
- film (Wings of the Morning (1936)
Kingdom Within Your Eyes, The (Worton David/Horatio Nicholls)
- B 27044-1, -2 (20 October 1922)
Kitty, My Love, Will You Marry Me (Traditional/Old Irish Air. arr. Herbert Hughes)
- film, 35mm, 70mm (1929)
Komm bald (Klaus Groth/Johannes Brahms, Op. 97, No. 5)
- Bb 5094-1, -2 (19 September 1924)
L

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Lady Divine (from "The Divine Lady")(Richard Kountz/Nathaniel Shilkret)
- BVE 51614-1, -2 (10 April 1929)
LAKME: Immenso vienteso ... a vien al boscaglia (Edmond Gondinet and Philippe Gille, after Pierre Loti/Léo Delibes)
- B 8750-1 (25 March 1910)
Land of Might Have Been, The (Edward Moore/Ivor Novello)
- B 27084-1, -2, -3 (20 November 1922)
Larboard Watch, The (words and music by T. Williams)
- B 18392-1, -2 (21 September 1916)
Lass with the Delicate Air, The (words and music by Michael Arne. arr. Lehmann)
- OEA 8822-1 (11 July 1940)
Last Hour, The (Jessie Christian Brown/A. Walter Kramer, Op. 34, No. 6)
- B 24036-1, -2 (5 May 1920), with Fritz Kreisler, violin
Last Rose of Summer, The (Thomas Moore/Old Irish Air: "The Groves of Blarney," also "The Young Man's Dream," arr. Thomas Moore)
- B 8684-1 (4 March 1910)
- Bb 5037-1, -2 (4 September 1924)
- BRC-HQ 32-1 (2 November 1931)
Last Watch,The (Fred E. Weatherley/Ciro Pinsuti)
- Lxx 3164 ( 1909)
Learn to Smile (from "The O'Brien Girl")(Otto Harbach/Louis A. Hirsch)
- B 25351-1, -2 (16 June 1921)
- 25351-3, -4 (17 June 1921)
Legend: Christ in His Garden, A (No. 5 from "Songs for Young People")(Pleschcheyev, trans. Hazel M. Lockwood/Piotr Ilyich Tchaikovsky, Op. 54)
- OEA 8888-1 (25 October 1940)
Leggenda Volacca, La, see Angel's Serenade
Leiermann, Der, see The Organ Grinder
Liebe hat gelogen, Die (A. von Platen Hallermunde/Franz Schubert, D. 751)
- B 28610-1 (26 September 1923)
- Bb 11343-1, -2 (2 September 1927)
Life Lesson, A (James Whitcomb Riley/Ethelbert W. Nevin)
- OEA 421-1, -2 (29 August 1934)
Light in Your Eyes, see The Rainbow of Love
Light of the Sunset Glow (from "Evensong")(U. Curzon/Easthope Martin, arr. Leslie Taylor)
- OEA 9069-1, -2 (17 December 1940)
Like Stars Above (J. A. McDonald/William Henry Squire)
- Lx 2487 ( 1908)
- C 11814-1 (2 April 1912)
- C 11814-2 (5 April 1912)
Lilies of Lorraine (Clifford Grey/Pierre Connor)
- BVE 36374-1, -2 (30 September 1926)
LILY OF KILLARNEY: Once would my heart with the wildest emotion (Eily Mavourneen) (John Oxenford/Sir Julius Benedict)
- 6447-I, -II (cylinder) (3 November 1904)
- 6447-III, -IV (cylinder) (10 November 1904)
LILY OF KILLARNEY: The Moon hath Raised her Lamp Above
- B 14693-1, -2 (9 April 1914), with Reinald Werrenrath, baritone
Linden Lea (A Dorset Song) (William Barnes/Ralph Vaughn Williams)
- OEA 9326-1 (25 June 1941)
Little Bit of Heaven (from "The Heart of Paddy Whack") (Joseph Keirn Brennan/Ernest R. Ball)
- B 16764-1 (10 November 1915)
Little Boats, The (Harold Boulton/Old Irish Air: "Umbo agus Imbo," arr. Herbert Hughes)
- OEA 9328-1, -2 (25 June 1941)
Little Boy Blue (Eugene Field/Ethelbert W. Nevin, Op. 12, No. 4)
- B 17650-1, -2 (9 May 1916)
- film, 35mm, 70mm (1929)
- BVE 58595-1, -2 (21 February 1930)
Little Child of Mary (from Negro Spiritual "De New Born Baby") (W & M? by Henry Thacker Burleigh)
- OEA 2122-1, -2 (27 June 1935)
Little Grey Home in the West (from "The Marriage Market") (D. Eardley-Wilmot/Hermann Löhr)
- B 14666-1, -2 (6 April 1914)
Little House I Planned (H. Parr/H. Oliver)
- OEA 2132-1 (28 June 1935)
Little Love, A Little Kiss, A (English words by Adrian Ross, after French words by A. Nilsson Fysher/Lao Silésu)
- B 13220-1, -2 (1 May 1913)
- B 13220-3 (6 April 1914)
Little Mother of Mine (George S. Brengle/Henry Thacker Burleigh)
- B 21810-1, -2 (30 April 1918)
Little Pal (from "Say It With Song")(words and music by Buddy G. De Sylva, Lew Brown, and Ray Henderson)
- BVE 51620-1, -2, -3 (12 April 1929)
Little Prayer For Me (Fred E. Weatherley/Kennedy Russell)
- OEA 420-1, -2 (29 August 1934)
Little Silver Ring, see The Silver Ring
Little Town in the Old County Down (Richard W. Pascoe and Monte Carlo/Alma Sanders)
- B 25353-1, -2 (17 June 1921)
Little Wooden Head (from "Pinocchio")(Ned Washington/Leigh Harline)
- OEA 8526-1, -2 (12 April 1940)
Little Yvette (Fred E. Weatherley/Haydn Wood)
- B 29867-1, -2 (8 April 1924)
Lolita (Serenata Espagnol)(words and music by Arturo Buzzi-Peccia)
- Lxx 2962 (1908)
- Lx 3150[-1], -2 (1909)
Londonderry Air, see 0 Mary Dear; Would God I Were the Tender Apple Blossom
Lord is My Light, The (paraphrase of Psalm 27/Frances Allitsen)
- Lx 2558 (1908)
- B 20899-1 (23 October 1917)
Lost Chord, The (Adelaide A. Proctor/Sir Arthur Sullivan)
- C 27043-1, -2 (20 October 1922)
Love Bells (P. Charlton/Francis Dorel)
- B 18388-1, -2 (20 September 1916)
Love, Here is My Heart (Adrian Ross/Lao Silésu)
- B 18384-1, -2 (20 September 1916)
Love Me and I'll Live Forever (Alfred Bryan/Ted Snyder)
- BVE 34159-1, -2, -3 (17 December 1925)
Love Sends a Little Gift of Roses (Leslie Cooke/John Openshaw)
- B 28601-1, -2 (24 September 1923)
Love Song (from "The Magic Ring")(Zelda Sears/Harold Levey)
- B 29866-1, -2 (8 April 1924)
Love Thee, Dearest, Love Thee (Thomas Moore/Old Irish Air)
- Edison 13154 (12 September 1904)
- 6462a (23 September 1904)
- OEA 9869-1, -2 (26 May 1942)
Loveliest of Trees (No. I from "A Shropshire Lad")(A. E. Housman/Arthur Somervell)
- OEA 9203-1 (6 March 1941)
Lover, Come Back to Me (from "New Moon")(Oscar Hammerstein II/Sigmund Romberg)
- BVE 51622-1, -2 (12 April 1929)
Love's Garden of Roses (Ruth Rutherford/Haydn Wood)
- B 21812-1, -2 (1 May 1918)
Love's Golden Treasury (Eileen Fitzgerald/J. M. Capel)
- Lx 2432[-1], -2 (1907)
Love's Old Sweet Song (C. Clifton Bingham/James Lyman Molloy)
- CVE 40165-1, -2 (11 October 1927)
Love's Philosophy (Poem by Percy Bysshe Shelley/Roger Quilter, Op. 3, No. 1)
- Lx 2965 (1908)
Love's Roses (Frances Ring/Martin Broones)
- OB 5307-1, -2 (7 September 1933)
- broadcast (20 August 1935)
Love's Secret (William Blake/Granville Bantock)
- BVE 35893-1 (1 October 1926)
- Bb 21032-1 (3 December 1930)
- OEA 2180-1, -2 (23 July 1935)
Low Backed Car, The (Samuel Lover/Old Irish Air: "The Jolly Ploughboy," arr. Samuel Lover)
- B 13031-1, -2 (28 March 1913)
LUCIA DI LAMMERMOOR: Fra poco a me ricovero (Salvatore Cammerano, after Sir Walter Scott/Gaetano Donizetti)
- C 8535-1 (3 January 1910)
LUCIA DI LAMMERMOOR: Tu che a Dio spiegasti
- C 8740-1 (23 March 1910)
Lullaby, see JOCELYN
Lunge da lei per me ... De'miei bollenti spiriti, see LA TRAVIATA
Luoghi sereni e cari (words and music by Stefano Donaudy)
- Bb 5033-1, -2, -3 (4 September 1924)
- BVE 34160-1, -2 (17 December 1925)
- film, 35mm, 70mm (1929)
M

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Macushla (Josephine V. Rowe/Dermot MacMurrough)
- B 10134-1 (30 March 1911)
Magic of Your Love (from "Gypsy Love")(Gustave Kahn and Clifford Grey/Franz Lehar, adapted by Herbert S. Stothart)
- OEA 8574-1 (12 April 1940)
Magpie's Nest, The (Traditional/Old Irish Air, arr. Herbert Hughes)
- film, 35mm, 70mm 1929
Maiden of Morven (Traditional, trans. Harold Boulton/Old Scottish Air, arr. Malcolm Lawson)
- OEA 9068-1 (17 December 1940)
Mainacht, Die (Ludwig Hölty and Voss/Johannes Brahms, Op. 43, No. 2)
- Bb 5031-1, -2 (4 September 1924)
Maire, My Girl (John Keegan Casey/George B. Aitken)
- C 11813-1 (2 April 1912)
Maison Grise, La, see FORTUNIO: J'amais la vieille maison grise
MANON: Chiudo gli occhi (Henri Meilhac and Philippe Gille, after Abbé Prévost/Jules Massenet)
- B 12764-1, -2 (3 January 1913)
M'appari, see MARTA
Marcheta (A Love Song of Old Mexico)(words and music by Victor L. Schertzinger)
- B 29865-1, -2 (8 April 1924)
- BVE 29865-3 (12 April 1927)
Marinari, Li (No. 12 from "Les Soirées Musicales")(Count Carlo Pepoli/Gioacchino
- B 10137-1 (31 March 1911), with Mario Sammarco, baritone
- B 10137-2, -3 (4 April 1911), with Mario Sammarco, baritone
MARITANA: There is a Flower That Bloometh (Edward Fitzball, after A. d'Ennery/William Vincent Wallace)
- Lx 2844 (1908)
- B 12710-1, -2 (11 December 1912)
MARTA: M'appari (Friedrich Wilhelm Riese, writing as W. Friedrich, after Jules H. Vernoy de Saint-Georges/Friedrich von Flotow)
- B 17009-1 (14 January 1916)
Mary Dear, see 0 Mary Dear
Mary of Allendale (Anonymous Scottish Poem/James Hook, arr. H. Lane Wilson)
- Lx 2850 (1908)
Mary of Argyle (Charles Jeffreys/S. Nelson)
- B 14674-1, -2 (7 April 1914)
Mattinata (words and music by Ruggiero Leoncavallo)
- Lx 2793[-1], -2 (1908)
- B 12766-1, -2 (3 January 1913)
Maureen (words and music by Hugh S. Roberton)
- broadcast (17 April 1938)
- OEA 9461-1 (26 August 1941)
Mavis (L. A. Lefevre/Harold Craxton)
- B 15420-1, -2 (23 November 1914)
Meeting of the Waters, The (Thomas Moore/Old Irish Air: "Old Head of Denis," arr. Edwin Schneider)
- 13142 (12 September 1904)
- 5925b (24 September 1904)
- OEA 8850-1 (9 August 1940)
Meine Seele ist erschüttert, see CHRIST ON THE MOUNT OF OLIVES
MEISTERSINGER, DIE: Morning was gleaming ("Morgenlich leuchtend") (Prize Song) (words by Wagner, trans. Henrietta & Frederick Corder?/Richard Wagner)
- C 16089-1, -2 (10 June 1915)
- C 17656-1 (10 May 1916)
MEFISTOFELE: Dai campi, dai prati (Arrigo Boïto, after Johann Wolfgang von Goethe/Arrigo Boïto)
- B 12705-1 (11 December 1912)
MEFISTOFELE: Giunto sul passo
- B 12706-1 (11 December 1912)
Mi par d'udir ancora, see LA PÊCHEURS DE PERLES
Mighty Lak' a Rose (Frank L. Stanton/Ethelbert W. Nevin)
- OEA 8604-1, -2 (2 May 1940)
MIGNON: In her simplicity (Jules Barbier and Michel Carré, after Johann Wolfgang von Goethe/Ambroise Thomas)
- Lx 2797 (1908)
Minnelied, see All'mein Gedanken
Minstrel Boy, The (Thomas Moore/Old Irish Air: "The Moreen," also "The Moirin," also "The
- 6471a, 5945b (23 September 1904)
- 6448-I, -II (3 November 1904)
- 6448-III, -IV (10 November 1904)
- B 8590-1 (1 February 1910)
Mira la Bianca Luna (La Serenata)(No. 11 from "Les Soirées Musicales")(Count Carlo Pepoli/Gioacchino Rossini)
- 5130f, 5131f (3 July 1911), with Emmy Destinn, soprano
- 5203f (18 July 1911), with Emmy Destinn, soprano
Molly Bawn (Samuel Lover/Old Irish Air, arr. MacMurrough)
- 13144 (12 September 1904)
- 5928b (24 September 1904)
- C 8752-1 (25 March 1910)
- C 8752-2 (17 March 1911)
Molly Brannigan (Traditional/Old Irish Air, arr. Sir Charles Villiers Stanford)
- B 12765-1 (3 January 1913)
Moon hath raised her lamp above, The, see THE LILY OF KILLARNEY
Moonlight and Roses (words and music by Ben Black, Neil Morét, and Edwin H. Lemare, after "Andantino in D-flat" by Edwin H. Lemare)
- BVE 32535-1, -2, -3 (23 April 1925)
Morgen (John Henry MacKay/Richard Strauss, Op. 27, No. 4)
- Bb 5115-1, -2, -3 (24 September 1924), with Fritz Kreisler, violin
Morgenlich leuchtend, see MEISTERSINGER, DIE: Morning was gleaming
Morning (Frank L. Stanton/Oley Speaks)
- B 15847-1 (30 March 1915)
Morning was gleaming, see DIE MEISTERSINGER: Morning was gleaming
Mother in Ireland (Words and Music by Gerald Griffin, Herman Kahn, and Tommy Lyman)
- B 27030-1, -2, -3 (17 October 1922)
Mother Machree (from "Barry of Ballymore")(Rida Johnson Young/Chauncey Olcott and Ernest R. Ball)
- B 10069-1 (17 March 1911)
- BVE 40173-1, -2 (12 October 1927)
Mother My Dear (Katherine Nolen/Bryceson Treharne)
- BVE 33821-1, -2, -3 (27 October 1927)
Mother o' Mine (Rudyard Kipling/Frank Berthold Tours)
- B 13034-1 (28 March 1913)
Mountain Lovers (Fred E. Weatherley/William Henry Squire)
- Lxx 3135 (1909)
Music of the Night (Phyllis Black/Eric Coates)
- OEA 404-1, -2 (24 August 1934)
Musicke of Sundrie Kindes, see Since First I Saw Your Face
My commander as envoy bids me come ... No country can my own outvie, see NATOMA
My Dark Rosaleen (Traditional Irish words, adapted by James Clarence Mangan/Alicia Adélaïde Needham-Morgan)
- Lx 2132 (1907)
- Lxx 3151[-1], -2 (1909)
- Note: The verses by Mangan derive from the traditional Irish poem "Roisin Dubh." The literary background of these two sets of verses is complex.
My Dreams (Fred E. Weatherley/Sir Francesco Paolo Tosti)
- B 12758-1 (2 January 1913)
My heart is sore within me, see CHRIST ON THE MOUNT OF OLIVES
My Irish Song of Songs (Alfred Dubin/Daniel J. Sullivan)
- B 21809-1, -2 (30 April 1918)
My Lagan Love (Joseph Campbell, writing as Seosamh MacCathmhaoil/Old Irish Air, arr. Sir Hamilton Harty as one of "Three Traditional Ulster Airs")
- B 8751-1 (25 March 1910)
My Moonlight Madonna (P.F. Webster/Zdenko Fibich)
- OB 5309-1 ( 7 September 1933)
My Queen (Esther Johnson ("Stella")/J. Blumenthal)
- Lxx 3163 (1909)
My Treasure (Matthias Barr/Joan Trevalsa)
- OEA 8605-1 (2 May 1940)
My Wild Irish Rose (from "The Romance of Athlone")(Chauncey Olcott/Ernest R. Ball)
- B 14667-1 (6 April 1914)
Myrra, see I Know of Two Bright Eyes

N

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Nacht und Traume, see Holy Night
Nation Once Again, A (Thomas Davis/J.J. Johnson)
- 614 ( 5 July 1906)
- Lx 1565 ( 1906)
NATOMA: My commander as envoy...No country can my own outvie (Joseph D. Redding/Victor Herbert)
- C 11822-1 (3 April 1912)
Nearer, My God, To Thee (Sarah F. Adams/Lowell Mason) (verses 1,2, and 5)
- B 13225-1 (1 May 1913)
Necklace of Love (from "Songs of Vine Acre")(Frank L. Stanton/Ethelbert W. Nevin)
- OEA 422-1 (29 August 1934)
Neues andachtiges Kindelwiegen, Ein (Words and Music by David Gregor Corner, 1584-1648 arr. Samuel Liddle)
- OEA 408-1 (24 August 1934)
- See An Old Sacred Lullaby below.
Next Market Day (Traditional/Old Irish Air, arr. Herbert Hughes)
- B 23904-1 (partial matrix) (2 April 1920)
Night Hymn at Sea (Felicia Dorothea Hemans/Arthur Goring Thomas)
- BVE 34166-1, -2, -3 (18 December 1925), with Lucrezia Bori, soprano
- BVE 34166-4, -5, -6 (24 December 1925), with Lucrezia Bori, soprano
- broadcast (1 January 1926), with Lucrezia Bori, soprano
- 2EA 9651-1, -2 (25 November 1941), with Maggie Teyte, soprano
Nil, Le (Armand Renaud/Xavier Leroux)
- C 14625-1 (25 March 1914), with Fritz Kreisler, violin
Nina (Tre giorni son che Nina) (Words & Music Anonymous)
- OEA 8807-1 (19 June 1940)
- Words and music are anonymous according to Grove's, but song is sometimes attributed to Legrenzio Vincenzo Ciampi.
Nirvana (Fred E. Weatherley/Stephen Adams)
- C 12708-1 (11 December 1912)
No, Not More Welcome (Thomas Moore/Old Irish Air: "Erin to Gratton, " also "Luggelaw," arr. Frederick Keel)
- OEA 9330-1 (25 June 1941)
Non é Ver (G. Caravoglia/Tito Mattei)
- B 17651-1 (9 May 1916)
None but the Lonely Heart (Johann Wolfgang von Goethe/Piotr Ilyich Tchaikovsky, Op. 6, No. 6)
- BVE 40170-1, -2 (12 October 1927)
Norah O'Neale (Traditional/Old Irish Air, arr. Herbert Hughes)
- BVE 56198-1, -2 (18 October 1929)
Norah, the Pride of Kildare (Words and Music by John Parry)
- 6467a (23 September 1904)
Now Sleeps the Crimson Petal (Alfred, Lord Tennyson/Roger Quilter, Op. 3, No. 2)
- Bb 11346-1, -2 (2 September 1927)
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0 Cease Thy Singing, Maiden Fair (Aleksander Sergeyevich Pushkin, trans. McCormack and Schneider/Sergei Rachmaninoff, Op. 4, No. 4)
- B 23906 -1, -2, -3 (2 April 1920), with Fritz Kreisler, violin
0 Come All Ye Faithful, see Adeste Fideles
0 Del Mio Amato Ben (words and music by Stefano Donaudy)
- Bb 5035-1 (4 September 1924)
0 Dry Those Tears (words and music by Teresa del Riego)
- C 13224-1 (1 May 1913)
- B 24034-1, -2 (5 May 1920), with Fritz Kreisler, violin)
0 il meglio mi scordavo ... Numero quindici, see IL BARBIERE DI SIVIGLIA
0 Lola, see CAVALLERIA RUSTICANA
0 Lovely Night (from song cycle "Summertime")(Margaret Teschemacher/Sir Landon Ronald)
- Lxx 3158 (1909)
O Mary Dear (John McCormack/Old Irish Air: "Londonderry Air," arr. Edwin Schneider)
- BVE 56188-1 (16 October 1929)
- BVE 56188-2 (18 October 1929)
- film 35mm, 70mm ( 1929)
- OEA 2128-1, -2 (28 June 1935)
- broadcast (19 November 1936)
0 Men From the Fields (Cradle Song) (from "Songs of Connacht")(Padraic Colum/Old Irish Air, arr. Herbert Hughes)
- OEA 2183-1 (23 July 1935)
0 Promise Me (interpolated into "Robin Hood")(Clement W. Scott/Reginald DeKoven)
- OEA 9487-1 (6 October 1941)
0 Sing to Me the Auld Scotch Sangs, see Auld Scotch Sangs, The
0 Sleep! Why dost thou leave me, see SEMELE
0 soave fanciulla, see LA BOHEME
0 Souverain, 0 Juge, 0 Pere, see LE CID
Off to Philadelphia (My Name is Paddy Leary)(Traditional, edited and revised by Stephen Temple/Old Irish Air, arr. Walter Battison Haynes)
- OEA 9655-1 (3 December 1941)
Oft in the Stilly Night (Thomas Moore/Old Scottish Air, arr. Sir John Stevenson)
- Lx 2135 (1907)
- Lx 3166 (1909)
- OEA 8849-1, -2 (9 August 1940)
Oh, Could I But Express in Song My Sorrow (Grigori Lishin, trans. Rosa Newmarch/Leonid Malashkin)
- OEA 9065-1 (17 December 1940)
Oh Gathering Clouds (Traditional, arr. Bain)
- OEA 2121-1 (27 June 1935)
Oh, How I Miss You Tonight (Benny Davis and Mark Fisher/Joe Burke)
- BVE 33465-1, -2 (14 October 1925)
Oh! That It Were So! (Walter Savage Landor/Frank Bridge)
- Bb 5100-1 (19 September 1924)
Oh! What Bitter Grief is Mine ("Wie unglücklich bin ich," anonymous verse, trans. McCormack/Wolfgang Amadeus Mozart, K. 147)
- broadcast (27 December 1936)
- OEA 9064-1, -2 (17 December 1940)
Old House, The (Frederick Travers O'Connor/Traditional melody, adapted by O'Connor)
- OEA 8320-1, -2 (30 November 1939)
- broadcast (6 December 1938)
- Notes: The melody appears to have been adapted from the Old Welsh Harp-Tune: "Llwyn On" (sometimes referred to as "The Ash Grove"), or an English variant of it. The adaptation presumably was by O'Connor, although the published song simply credits O'Connor with words and music. A similar adaptation of a traditional folk melody may be discerned in the music of "The Star of the County Down," which McCormack also recorded.
Old Refrain, The (English words by Alice Mattullath/Fritz Kreisler)
- B 17008-1, -2 (14 January 1916)
Old Sacred Lullaby, An (English lyrics by Paul England, after German by David Gregor Corner, 1584-1648/Corner, arr. Samuel Liddle)
- OEA 407-1 (24 August 1934)
On Wings of Song ("Auf Flügeln des Gesänges") (Heinrich Heine/Felix Mendelssohn, Op. 34, No. 2)
- broadcast (1 January 1927)
- broadcast (10 February 1933)
On with the motley, see I PAGLIACCI
Once Again (L.H. Lewin/Sir Arthur Sullivan)
- 6449-I, (3 November 1904)
- 6449-II, -III, -IV (10 November 1904)
Once in a Blue Moon (Emily Westrup/Howard Fisher)
- OB 3851-1, -2 (16 September 1932)
Once would my heart with the wildest emotion, see Lily of Killarney, The
One Love Forever (James Dyrenforth/Kenneth Leslie-Smith)
- OEA 9887-1, -2 (10 August 1942)
One Summer Morn (words and music by Sidney Richfield)
- broadcast (2 January 1938)
Only You (Elizabeth K. Reynolds/Edwin Schneider)
- B 22693-1, -2 (16 April 1919)
Onward Christian Soldiers (Reverend Sabine Baring-Could/Sir Arthur S. Sullivan)
- B 29871-1, -2 (9 April 1924)
Ora pro nobis (A. Horspool/Nicolo Piccolomini)
- B 17645-1 (9 May 1916)
Organ Grinder, The (Der Leiermann) (The Hurdy Gurdy Man)("Der Leiermann") (from (Wilhelm Müller/Franz Schubert, D. 911, No. 24)
- CVE 49213-1, -2, -3 (partial matrix) (28 November 1928)
O Thank Not Me, see Widmung
Ould Plaid Shawl (Francis A. Fahy/Old Irish Air, arr. Battison Haynes)
- Lx 3167 (1909)
Ould Turf Fire, The (Words and Music by Johnny Patterson, 1840-1899)
- broadcast (11 October 1936)
- broadcast (2 January 1938)
Our Finest- Hour (R. Henniker Heaton/John McCormack & Gerald Moore)
- OEA 9460-1 (26 August 1941)
- OEA 9460-2, -3, -4 (17 September 1941)
Out of Sight But Ever in My Mind, see Ever in My Mind

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Padraic the Fiddler (Padraic Gregory/John F. Larchet)
- Bb 5118-1, -2, -3 (24 September 1924), with Fritz Kreisler, violin
PAGLIACCI: To act! With my heart...On with the motley (Vesti la giubba) (libretto and music by Ruggiero Leoncavallo)
- Lx 2489 (1908)
- Sung in English, possibly translated by Fred E. Weatherley.
Pair of Blue Eyes, A (words and music by William Kernell)
- film 35mm, 70mm (1929)
- BVE 58588-1, -2 (19 February 1930)
Palms, The see Les Rameaux
Panis Angelicus (from Mass in A minor, M.61)(Thomas Aquinas/César-Auguste Franck)
- CVE 38733-1, -2 (6 May 1927)
- CR 1497-1, -2, -3 (5 September 1927)
- broadcast (26 June 1932)
- broadcast (4 April 1933)
Parigi, o cara, see LA TRAVIATA
Parle moi de ma mère, see CARMEN: Votre mère avec moi ... Ma mère je la vois
Parted (words and music by Alicia Scott)
- Lx 2963 (1908)
- Note: Boosey and Hawkes give credit to "Lady Franklin."
Parted (Fred E. Weatherley/Sir Francesco Paolo Tosti)
- B 17010-1 (14 January 1916)
Passing By (Anonymous/Edward Purcell-Cockram, writing as E. Purcell)
- OEA 8824-1 (11 July 1940)
PASTOR FIDO, IL: Caro amor (Giacomo Rossi/ George Frederic Handel)
- 2EA 2764-1 (7 April 1936)
PÊCHEURS DE PERLES, LA: Del tempio al limitar (Eugene Cormon and Michel Carré/Georges Bizet)
- C 8738-1 (23 March 1910), with Mario Sammarco, baritone
- C 8738-2 (31 March 1911), with Mario Sammarco, baritone
- B 8738-1 (31 March 1911), with Mario Sammarco, baritone
- B 8738-2 (4 April 1911), with Mario Sammarco, baritone
PÊCHEURS DE PERLES, LA: Mi par d'udir ancora
- B 12707-1 (11 December 1912)
Per viver vicino a Maria, see LA FILLE DU REGIMENT
Perfect Spring, see The Awakening of a Perfect Spring
Pianto del Core (Giovanni Matteo, writing as "Mario"/Ciro Pinsuti)
- Lxx 2799 (1908)
Plaisir d'Amour (J. P. Claris de Florian/ ? Schwarzendorf, writing as Jean Paul Egide Martini, arr. Fevrier)
- film, 35mm, 70mm (1929)
- OEA 8806-1, -2 (19 June 1940)
Pleading (Arthur L. Salmon/Sir Edward Elgar, Op. 48, No. 1)
- B 13003-1 (19 March 1913)
Poor Butterfly (John Golden/Raymond Hubbell)
- no matrix (private) (9 May 1917) (Gwen McCormack with John joining at end)
Poor Man's Garden (Royden Barrie/Kennedy Russell)
- OEA 410-1 (24 August 1934)
Portrait, Le (words and music by Beatrice Parkyns)
- B 13235-1 (2 May 1913)
Praise Ye the Lord (from "Cantata con Stromenti") (trans. McCormack/Siegfried Ochs, arr. F. W. Franke)
- OEA 9316-1, -2 (29 May 1941)
- Note: Formerly attributed to Handel.
Prayer Perfect (James Whitcomb Riley/Oley Speaks)
- Bb 20691-1, -2 (5 December 1930)
Prayer to Our Lady, A (from "Skylark and Swallow") (Reverend R. L. Gates/Donald Ford)
- BVE 35892-1 (1 October 1926)
- OB 3854-1, -2 (16 September 1932)
Prize song, see MEISTERSINGER, DIE: Morning was gleaming
Procession, La ("Dieu s'avance a travers les champs!") (Charles Brizeaux/César-Auguste Franck)
- Cc 11335-1, -2 (1 September 1927)
Pur Dicesti, 0 Bocca, Bocca Bella ( ? Pero/Antonio Lotti)
- B 28609-1, -2 (26 September 1923)
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Questa o quella, see RIGOLETTO
Quietest Things, The (? Wymer/Haydn Wood)
- OEA 426-1 (29 August 1934)
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Rainbow of Love, The (William F. Kirk/Gustav Ferrari)
- B 20021-1, -2 (8 June 1917)
Rameaux, Les (The Palms)(J. Bertrand/Jean-Baptiste Faure)
- CVE 36384-1, -2 (4 October 1926)
Recondita armonia, see TOSCA
Remember the Rose (from "Her Family Tree")(Sidney D. Mitchell/Seymour S. Simons)
- B 27032-1, -2, -3 (17 October 1922)
Remembering You, see As I Sit Here
Ridente la calma (Anonymous Italian/Josef Myslivecek, arr. by Wolfgang Amadeus Mozart, K. 152)
- Bb 5096-1, -2 (19 September 1924)
RIGOLETTO: Bella figlia dell'amore (Quartet) (Francesco Maria Piave, after Victor Hugo/Giuseppe Verdi)
- 4189f (2 May 1910), with Melba, Thornton, and Sammarco
- C 14657-1, -2, -3 (2 April 1914), with Bori, Jacoby, Werrenrath
- C 14657-4, -5 (8 April 1914), with Bori, Jacoby, Werrenrath
RIGOLETTO: La donna é mobile
- Lx 2491[-1], -2, -3, -4 (1908)
- B 13222-1 (1 May 1913)
RIGOLETTO: Questa o quella
- Lx 2559[-1], -2, -3 (1908)
- B 13223-1 (1 May 1913)
Rise, Dawn of Love (Edward Lockton/ ? Campton)
- OEA 2133-1 (28 June 1935)
Road That Brought You to Me (words and music by Bernard Hamblen)
- B 23043-1, -2 (1 July 1919)
ROMEO ET JULIETTE: Ah! 1ève toi, soleil (Jules Barbier and Michel Carré, after William Shakespeare/Charles Gounod)
- C 11832-1 (5 April 1912)
Rosary, The (Robert Cameron Rogers/Ethelbert W. Nevin)
- B 11825-1 (3 April 1912)
- B 11825-2 (5 April 1912)
- B 11825-3 (30 March 1915)
- BVE 40171-1, -2 (12 October 1927)
Rose For Every Heart, A (Nelle R. Eberhart/Charles Wakefield Cadman)
- BVE 36375-1, -2, -3 (30 September 1926)
Rose Marie (from "Rose Marie") (Otto Harbach and Oscar Hamerstein/Rudolf Friml)
- B 31526-1, -2, -3 (17 December 1924)
Rose of My Heart (D. Eardley-Wilmot/Hermann Löhr)
- B 23042-1, -2 (1 July 1919)
Rose of Tralee, The (C. Mordaunt Spencer/Charles W. Glover; or words and music? by William Pembroke Mulchinock; or words & music are traditional)
- film 35mm, 70mm (1929)
- BVE 58586-1, -2 (19 February 1930)
- Notes: References differ regarding the credits for this song. It seems possible that Spencer and Glover adapted a song for publication that they assumed was traditional. It may also be that Mulchinock wrote the lyric and fitted it to a traditional melody. The notes to Rego RCD-3022 cite an article in "The Kerryman" (newspaper), dated 7 December 1935 assert that the song hails from Co. Kerry and was written about 90 years earlier (ca. 1845), and that it was popular in Kerry for a long time. This article goes on to cite an anthology of Irish poetry, The Minstrel of Erin, published in 1903 (Fodhla Printing Co.), edited by Terence O"Hanlon, in which the verses are given as anonymous. In Mulchinock's obituary ("The Nation," 1846), the 1935 article continues, he is described as "a well-known contributor to "The Nation" and is given credit for writing "The Rose of Tralee." The Rego notes also cite a July 24, 1909 article in "The National Hibernian," Washington D.C. which credits Maurice Musgrave as the composer (presumably of words and music). Uncertainties about the origins of this song have yet to be clarified.
Rose Still Blooms in Picardy, A (Elsie R. Bowler/Haydn Wood)
- OEA 9489-1, -2, -3 (6 November 1941)
- Notes: Lyricist as given by British Library.
Roses (Fred E. Weatherley/Stephen Adams)
- Lx 2798 (1908)
Roses of Picardy (Fred E. Weatherley/Haydn Wood)
- B 22691-1, -2 (16 April 1919)
- BVE 41545-1, -2 (13 January 1919)
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Salve dimora casta e pura, see FAUST
Sängers Trost, see The Singer's Consolation
Savourneen Deelish (My Sweet Love)(Words attrib. George Colman/Old Irish Air: "Sa mhuirnin dilis," O Dear Love)
- Lx 2133[-1], -2 (1907)
- Notes: Credits above are given after Nichlolas Carolan, who idendifies Colman (1762-1836) as a playwright who wrote "The Surrender of Calais," in which the verses appeared.
Say a Little Prayer (words and music by Gerry Mason)
- OEA 9888-1, -2 (10 August 1942)
Say "Au revoir" but not "Goodbye" (words and music by Harry Kennedy)
- B 13033-1 (28 March 1913)
Schlafendes Jesuskind (Eduard Mörike/Hugo Wolf)
- BVE 32538-1, -2 (24 April 1925)
- Bb 21031-1 (3 December 1930)
- 2EA 2767-1 (7 April 1936)
Se il mio nome, see IL BARBIERE DI SIVIGLIA
See Amid the Winter Snow (Reverend Edward Caswall/Traditional)
- OEA 8891-1 (25 October 1940)
See here thy flower (Flower Song in English), see CARMEN
Seems Lak' to Me, see Since You Went Away
SEMELE:0 Sleep! Why dost thou leave me (William Congreve/George Frederic Handel)
- B 23902-1, -2 (1 April 1920)
SEMELE:Wher'er you walk
- 2EA 2765-1 (7 April 1936)
- broadcast ( 1940)
- Notes: Alexander Pope is the author of the verse, which was inserted into the libretto by Congreve.
Send Me Away With a Smile (Louis Weslyn/Alfred Piantidosi)
- B 20546-1, -2 (7 September 1917)
- B 20546-3, -4 (23 October 1917)
Serenade (Raff) ( ? Sternan, trans. F. W. Rosier/Joachim Raff)
- B 17654-1, -2 (10 May 1916), with Fritz Kreisler, violin
Serenade (Ständchen) (Softly Through the Night is Calling) ("Ständchen")(Ludwig Rellstab, trans. Alice Mattullath/Franz Schubert, D. 957, No. 4)
- C 14651-1 (31 April 1914), with Fritz Kreisler, violin
- CVE 49210-1, -2 (27 November 1928)
Serenata (English words by Nathan Haskell Dole/Moriz Moszkowski)
- B 16090-1, -2 (10 June 1915), with Fritz Kreisler, violin
Shades of Evening Close not o'er Us, see Isle of Beauty
Shannon River (Kathleen Egan/Reginald Morgan)
- OEA 2130-1, -2 (28 June 1935)
- broadcast (13 May 1937)
She is Far From the Land (Thomas Moore/Old Irish Air: "Open the Door," arr. Frank Lambert)
- C 10138-1 (31 March 1911)
- 2EA 2750-1 (31 March 1936)
She Moved Through the Fair (Traditional, adapted by Padraic Colum/Old Irish Air, arr. Herbert Hughes)
- OEA 9329-1 (25 June 1941)
She Rested by the Broken Brook (Robert Louis Stevenson/Samuel Coleridge-Taylor)
- BVE 35891-1 (1 October 1926)
- OEA 2181-1, -2 (23 July 1935)
- OEA 9086-1 (28 January 1941)
Siciliana, see CAVALLERIA RUSTICANA
Silent Hour of Prayer, The (Helen Boardman Knox/Charles Wakefield Cadman)
- broadcast (27 December 1936)
Silent Night (Joseph Mohr, trans. B. Douglas/Franz Gruber, arr. Woodgate)
- OEA 8887-1 (25 October 1940)
Silent Noon (Dante Gabriel Rossetti/Ralph Vaughn Williams)
- OEA 9202-1 (6 March 1941)
Silver Ring, The ("L'Anneau D'Argent")(Eugene Oudin, after Rosemonde Gérard/Cécile Chaminade)
- Bb 11345-1 (2 September 1927)
Silver Threads Among the Gold (Ebenezer B. Rexford/Hart Pease Danks)
- B 11834-1, -2 (5 April 1912)
- B 11834-3 (3 January 1913)
- BVE 11834-4, -5 (23 December 1925)
Since First I Saw Your Face (from "Musicke of Sundrie Kindes")(Anon., collected by Thomas Ford/Old English Air, arr. Arthur Somervell)
- Bb 11340-1, -2 (2 September 1927)
- OEA 9066-1 (17 December 1940)
Since First I Met Thee, see Come Back My Love
Since You Went Away ("Seems Lak' to Me")(James Weldon Johnson/J. Rosamond Johnson)
- B 24037-1, -2 (5 May 1920) (With Fritz Kreisler, violin)
Singer's Consolation ("Sängers Trost")(Kerner, trans. Alice Mattullath/Robert Schumann, Op. 127, No. 1)
- B 23799-1, -2 (2 April 1920)
Sing, Sing, Birds on the Wing (Leslie Cooke/Godfrey Nutting)
- B 16762-1, -2, -3 (10 November 1915)
Smiles (J. Will Callahan/Lee M. Roberts)
- B 22255-1, -2 (24 September 1918)
Smilin' Thro' (words and music by Arthur A. Penn)
- OEA 9478-1, -2 (6 October 1941)
Snowy Breasted Pearl, The (Sir Stephen Edward De Vere/Old Irish Air: "Pearl of the White Breast, arr. Joseph Robinson)
- 13124 (12 September 1904)
- 5924b (24 September 1904)
- Lx 1570 (1906)
- C 8741-1 (23 March 1910)
- broadcast (10 February 1933)
- broadcast (6 December 1938)
So Deep is the Night ("Tristesse")(Sonny Miller, after French/Viaud, after Chopin, Op. 10, No. 3)
- OEA 8399-1, -2 (2 May 1940)
So Do I Love You (words and music ? by Kennedy Russell)
- broadcast (13 May 1937)
- Notes: British Library gives credits as R. Veasey/Haydn Wood. On the broadcast McCormack announces Russell as author of words and music.
Softly Through the Night is Calling, see Serenade (Schubert)
Sogno, II, see MANON
Soldier's Execution, The ("Der Soldat")(Albert Chamisso/Robert Schumann, Op. 40, No. 3)
- Bb 5099-1 (19 September 1924)
Sometime (I'll Hear Your Sweet Voice Calling) (Hazel M. Lockwood/Lee W. Lockwood)
- B 28607-1, -2 (25 September 1923)
Sometime You'll Remember Me (Raymond Wallace/Mauricel Head)
- B 21814-1 (1 May 1918)
Somewhere (words and music by Alton Waters)
- B 23523-1 (10 December 1919)
- B 23523-2 (11 December 1919)
Somewhere a Voice is Calling (Eileen Newton/Arthur F. Tate)
- B 15419-1 (23 November 1914)
- BVE 15419-2 -3 (12 April 1927)
Somewhere in the World (words and music by Nathaniel D. Ayer)
- B 28603-1, -2 (24 September 1923)
Song of Thanksgiving, A (James Thomson/Frances Allitsen)
- B 23793-1, -2 (30 March 1920)
- B 23793-3, -4 (1 April 1920)
Song of the Night (Rida Johnson Young/Uda Waldrop)
- BVE 48180-1, -2 (19 November 1928)
Song O' My Heart (Joseph McCarthy/James F. Hanley)
- BVE 58690-1 (10 March 1930)
Song Remembered, A (Royden Barrie/Eric Coates)
- BVE 41561-1 (17 January 1928)
- OEA 405-1, -2 (24 August 1924)
Song to the Seals (from "Songs of the Western Isles")(Harold Boulton/Sir Granville Bantock) (With spoken introduction by McCormack)
- OEA 2126-1(27 June 1935)
Sonny Boy (from "The Singing Fool")(words and music by Buddy G. DeSylva, Lew Brown, and Ray Henderson)
- BVE 48178-1, -2, -3 (19 November 1928)
Sospiri miei, andate ove vi Mando (words and music by Alberto Bimboni)
- B 13032-1 (28 March 1913)
South Winds (words and music by Percy Kahn)
- OB 5308-1, -2 (7 September 1933)
Southern Song, A (Alfred Perceval Graves/Robert Batten)
- Lxx 3134[-1], -2 (1909)
- Note: Some sources give Batten as lyricist too.
SPANISH DOLLARS: Bay of Biscay (Andrew Cherry/John Davey, 1763-1824)
- Lx 3168 (1909)
Spir'to gentil, see LA FAVORITA
Ständchen, see Serenade (Schubert)
Star of the County Down, The (Traditional?/Old English Air, arr. Herbert Hughes)
- broadcast (11 October 1936)
- broadcast (27 December 1936)
- broadcast (25 April 1938)
- OEA 8322-1, -2 (30 November 1939)
- broadcast (1940)
- Note: Words and music possibly by Cathal Garvey, 1866-1927. Melody seems to be a variant of the English folk song "Dives and Lazarus."
Star Spangled Banner, The (Francis Scott Key/Old English Air)
- B 19534-1, -2, -3 (29 March 1917)
Still as the Night ("Still wie die Nacht")(English words by Alice Mattullath/Carl Böhm, Op. 326, No. 27)
- B 16093-1, -2 (10 June 1915), with Fritz Kreisler, violin
Still as the Night (Goetze) (Traditional German verse, trans. Elizabeth M. Lockwood, adapted by McCormack/Carl Götze)
- OEA 9652-1 (25 November 1941), with Maggie Teyte, soprano
Still Night, Holy Night, see Silent Night
Street Sounds to the Soldiers' Tread, The (No. 5 from "A Shropshire Lad")(A. E. Housman/Arthur Somervell)
- OEA 9201-1 (6 March 1941)
Sunshine of Your Smile, The (Leonard Cooke/Lilian Ray)
- B 18383-1, -2 (20 September 1916)
Swans (from "Rivers to the Sea")(Sara Teasdale/A. Walter Kramer, Op. 44, No. 4)
- B 28613-1 (26 September 1923)
Sweet Genevieve (George Cooper/Henry Tucker)
- B 12759-1, -2 (2 January 1913)
Sweet Peggy O'Neill (Joseph P. Redding/Uda Waldrop)
- B 23791-1, -2 (30 March 1920)
Sweetest Call (Alma Troon/John Morrow)
- BVE 32537-1, -2 (23 April 1925)
Sweetest Flower That Blows, The (Frederic Peterson/Charles Beach Hawley)
- OEA 8825-1, -2 (11 July 1940)
Sweetly She Sleeps, My Alice Fair (George Eastman/Stephen Foster)
- OEA 411-1 (24 August 1934)
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Take, Oh Take Those Lips Away (William Shakespeare/T.C. Sterndale Bennett)
- Lx 3137 (1909)
- B 11815-1 (2 April 1912)
- Notes: Desmond Shawe-Taylor has helpfully supplied the following clarification about the origins of this song: It has long been assumed that the composer "must be Sir William Sterndale Bennett, the eminent Victorian, friend of Mendelssohn and an accomplished composer in what might be loosely called a Mendelssohnian style. In fact the song, which is dedicated to McCormack, is by T.C. Sterndale Bennett (1881-1944), grandson of the composer, himself a light-weight theatrical 'composer and entertainer at the piano', and father of Joan Sterndale Bennett, a popular of 'Peter Ridgeway's Late Joys' at the Players Theatre during the war years and afterwards. It was amusing to note that McCormack had quietly made some slight adjustments (improvements, actually) to the printed vocal line by the time he came to make his Victor recording." (from Mr. Shawe-Taylor's review of JMACD in Opera magazine.
Take a Look at Molly (Hazel M. Lockwood/Lee W. Lookwood)
- B 28604-1, -2 (25 September 1925)
TALES OF HOFFMAN, see CONTES D'HOFFMAN
Te sol quest'anima, see ATTILA
Tenting on the Old Campground (words and music by Walter Kitteredge)
- B 15416-1, -2 (23 November 1914)
- B 15416-3 (31 March 1915)
Terence's Farewell to Kathleen (Helen Selina, later Lady Dufferin/Old Irish Air: "The Pretty Girl Milking Her Cow")
- Lx 2134 (1907)
- OEA 423-1 (29 August 1934)
T'eri un giorna, see I GIOIELLI DELLA MADONNA
Thank God For a Garden (words and music by Teresa Del Riego)
- B 23524-1, -2, -3 (11 December 1919)
Thanks Be to God (P. J. O'Reilly/Stanley Dickson)
- B 28606-1, -2 (25 September 1923)
That Tumble Down Shack in Athlone (Richard W. Pascoe and Monte Carlo/Alma M. Sanders)
- B 23456-1, -2, -3 (5 November 1919)
- B 23456-4, -5 (10 December 1919)
- broadcast (10 February 1933)
Then You'll Remember Me, see THE BOHEMIAN GIRL
There (from "English Lyrics, Set 9")(Mary Coleridge/Sir Charles Hubert Hastings Parry, Op. 176, No. 7)
- Bb 21026-1,-2 (3 December 1930)
There is a flower that bloometh, see MARITANA
There is a Green Hill ("Le Calvaire")(Francis Alexander/Charles Gounod)
- OEA 9062-1 (17 December 1940)
There is not in the Wide World, see The Meeting of the Waters
There's a Long Long Trail A' Winding (Stoddard King/Zo Elliot)
- B 20018-1, -2 (7 June 1917)
Thora (Fred E. Weatherley/Stephen Adams)
- Lx 2500 ( 1908)
Three Aspects (from "English Lyrics, Set 9")(Mary Coleridge/Sir Charles Hubert Hastings Parry, Op. 176, No. 1)
- Bb 21029-1, -2 (3 December 1930)
Three O'Clock in the Morning (Dorothy Teriss/Julian Robledo)
- B 27029-1, -2, -3 (17 October 1922)
Three Shadows (Dante Gabriel Rossetti/Henry Thacker Burleigh)
- B 20027-1, -2 ( 8 June 1917)
Through All the Days to Be (Royden Barrie/Barbara Melville-Hope)
- BVE 33820-1, -2, -3 (27 October 1925)
Tick, Tick, Tock (words and music by Bernard Hamblen)
- BVE 38732-1, -2 (6 May 1927)
Till I Wake (No. 4 of "Four Indian Love Lyrics" from "The Garden of Kama")(Lawrence Hope/Amy Woodforde-Finden)
- OEA 8821-1, -2 (11 July 1940)
Tis an Irish Girl I Love (from "Macushla")(Joseph Keirn Brennan and Alfred Dubin/Ernest R. Ball)
- B 23755-1, -2 (4 March 1920)
To Chloë (An Chloë)(Johann Georg Jacobi, trans. McCormack(?)/Wolfgang Amadeus Mozart, K, 524)
- OEA 9277-1 (10 September 1942)
Tommy Lad (Edward Teschemacher/E. J. Margetson)
- B 18385-1 (20 September 1916)
TOSCA: E lucevan le stelle (Luigi Illica and Giuseppe Giacosa, after Victorien Sardou/Giacomo Puccini)
- Lx 2501[-1], -2 (1908)
TOSCA: Recondita armonia
- B 8818-1 (8 April 1910)
To the Children (A. Khomyakoff, trans. Rosa Newmarch/Sergei Rachmaninoff, Op. 26, No. 7)
- B 27047-1 (20 October 1922), with Edwin Schneider, piano
- B 27085-1, -2 (20 November 1922), with orchestra (dir. Pasternack)
- Bb 5117-1, -2 (24 September 1924), with Fritz Kreisler, violin
- BVE 27085-3, -4 (17 December 1925), with Edwin Schneider, piano
To the Lyre ("An die Leier") (Franz Seraph von Bruchmann, after Anacreon/Franz Schubert, D. 737)
- CVE 49237-1, -2, -3 (partial matrix) (6 December 1928)
Träume (No. 5 from "Wesendonck Lieder")(Mathilde Wesendonck/Richard Wagner)
- 2EA 2766-1, -2 (7 April 1936)
TRAVIATA, LA: Lunge sa lei ... De'miei bollenti spiriti (Francesco Maria Piave, after Alexandre Dumas/Giuseppe Verdi)
- C 8693-1 (10 March 1910)
TRAVIATA, LA: Parigi, o cara
- C 14686-1, -2 (8 April 1914), with Lucrezia Bori, soprano
TRAVIATA, LA: Duet (title uncertain)
- 4187f (12? May 1910), with Nellie Melba, soprano
- Notes: The title of this duet is unknown, according to William R. Moran, who speculates that it was "Parigi, O cara." (Nellie Melba - A Contemporary Review, Westport, CT: Greenwood, 1985. Discography, item #92, p. 457.)
Tre giorni son che Nina, see Nina
Trees (Joyce Kilmer/Otto H. Rasbach)
- OEA 8809-1, -2 (19 June 1940)
TRISTAN UND ISOLDE: 0 König, das kann ich dir nicht sagen (libretto and music by Richard Wagner)
- BVE TEST 426-1 (15 October 1929), with Edwin Schneider, piano (test recording: ends abruptly)
- CVE 58692-1 (10 March 1930), with orchestra conducted by Nathaniel Shilkret (first published ca. 1951)
TRIUMPH OF TIME AND TRUTH: Dryads and Sylvans (George Frederic Handel)
- broadcast (2 January 1938)
Trotting to the Fair (Alfred Perceval Graves/Old Irish Air, arr. Sir Charles Villiers Stanford)
- Lx 2843 (1908)
Trumpet Call (P. J. O'Reilly/Wilfred Sanderson)
- B 20016-1, -2 (7 June 1917)
Trumpeter, The (J. Francis Barron/J. Airlie Dix)
- C 15845-1 (30 March 1915)
Tu che a Dio spiegasti I'ali, see LUCIA DI LAMMERMOOR
Turn Ye to Me (from "Songs of the North")(Christopher North, writing as John Wilson/Old Scottish Air)
- C 15848-1 (30 March 1915)
Tutto è finito ... 0 terra addio, see AIDA
Two Brown Eyes (Fred E. Weatherley/Stephen Adams)
- BRC-HQ 31-1 (2 November 1931)
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Ultime Canzone, L' (Francisco Cimmino/Sir Francesco Paolo Tosti)
- Lx 3162 (1909)
Una furtiva lagrima, see L'ELISIR D'AMORE
Und willst du deinem liebsten sterben sehen (No. 17 from "Italienisches Liederbuch I")(Anonymous Italian, trans. Paul Heyse/Hugo Wolf)
- BRC-HQ 33-1 (2 November 1931)
Underneath the Window ("Unter'm Fenster")(Nathan Haskell Dole, based on German text, after Robert Burns/Robert Schumann, Op. 34, No. 3)
- BVE 34167-1, -2, -3, -4 (18 December 1925), with Lucrezia Bori, soprano
Under the Spell of the Rose (Wild Rose Lane)(from "Songs of the Hedgerow")(Helen Taylor/Easthope Martin)
- BVE 38386-1, -2 (4 May 1927)
- BVE 49240-1, -2, -3 (7 December 1928)
Unter'm Fenster, see Underneath the Window
Until (Edward Teschemacher/Wilfrid Sanderson)
- B 15844-1, -2 (30 March 1915)
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Vacant Chair, The (George F. Root/H. S. Washburn)
- B 15417-1, -2, -3 (23 November 1914)
Venetian Song (B. C. Stephenson/Sir Francesco Paolo Tosti)
- B 16765-1, -2 (10 November 1915)
Vespers (M. Rocca/Howard Fisher)
- OB 5306-1, -2 (7 September 1933)
Victor, The (George F. O'Connell/Henry Thacker Burleigh)
- C 23522-1, -2 (10 December 1919)
Vieni al content, see LAKME: Immenso vienteso...A vien al boscaglia
Village That Nobody Knows, The (Harold Simpson/Haydn Wood)
- OEA 9315-1 (29 May 1941)
Voi Dormite, Signora (Rocco Pagliara/Sir Francesco Paolo Tosti)
- Lx 3153[-1], -2 (1909)
Votre mère avec moi ... Ma mère je la vois, see CARMEN

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Waiting for You (Royden Barrie/Montague F. Philips)
- OEA 9278-1 (10 September 1942)
Waldeseinsamkeit, See In Waldeseinsamkeit
Wearing of the Green (Dion Boucicault/Old Scottish Air: "The Tulip," arr. Oswald James)
- 6451-I, -II, -III, -IV (10 November 1904)
- B 11826-1 (3 April 1912)
West's Awake, The (Thomas Davis/Old Irish Air)
- 5941b, 5942b (26 September 1904)
What a Wonderful World It Would Be (D. Eardley-Wilmot/Hermann Löhr)
- BVE 32540-1, -2 (24 April 1925)
When (words and music by Earl Benham)
- B 23903-1, -2 (1 April 1920)
- B 29872-1, -2 (9 April 1924)
When coldness or deceit, see THE BOHEMIAN GIRL: When other lips
When I Awake (Anonymous English verse/Ellen Wright)
- OEA 9084-1, -2 (28 January 1941)
When I Have Sung My Songs (words and music by Ernest Charles)
- OEA 2125-1 (27 June 1935)
When Ireland Comes into Her Own (Jeff Branen/Jack Stanley)
- B 23044-1 (1 July 1919)
When Irish Eyes Are Smiling (from "The Isle O'Dreams") (Chauncey Olcott and George Graff/Ernest R. Ball)
- B 18387-1, -2 (20 September 1916)
When My Ships Come Sailing Home (Reginald Stewart/Francis Dorel)
- C 15839-1, -2 (29 March 1915)
When Night Descends (Afanasi Fet, trans. Schneider and McCormack/Sergei Rachmaninoff, Op. 4, No. 3)
- B 23905-1, -2, -3 (2 April 1920), with Fritz Kreisler, violin, & Schneider)
- BVE 56197-1, -2 (18 October 1929), with orchestra)
When other lips, see THE BOHEMIAN GIRL
When Pershing's Men Go Marching into Picardy (Dana Burnett/James H. Rogers)
- B 23900-1, -2 (2 April 1920)
When Shadows Gather (Fred E. Weatherley/Charles Marshall)
- Lxx 2853 (1908)
- Lxx 3136[-1], -2 (1909)
- B 8696-1 (10 March 1910)
When Shall I Again See Ireland, see Ireland, My Sireland
When Shall the Day Break in Erin? (D. J. Downing/Aynsley Fox)
- 13143 (12 September 1904)
- 6464a (23 September 1904)
When the Children Say Their Prayers (Arthur Stanley/Kennedy Russell)
- OEA 2123-1 (27 June 1935)
When the Dew is Falling (William Sharp writing as Fiona McCleod/Edwin Schneider)
- B 15850-1, -2 (31 March 1915)
When Twilight Comes I'm Thinking of You (H. J. Tandler/Harold Horne)
- BVE 36362-1, -2, -3 (28 September 1926)
When You and I Were Seventeen (Gustave Kahn/Charles Rosoff)
- BVE 32534-1, -2, -3, -4 (23 April 1925)
When You and I Were Young, Maggie (George Washington Johnson/James Austin Butterfield)
- B 23525-1, -2 (11 December 1919)
- BVE 23525-3, -4 (17 December 1925)
- broadcast (1 January 1926)
- Notes: According to the notes by Philip Lieson Miller for RCA LP ARL1-1698 ("When You and I Were Young Maggie." Robert White, Tenor), this song commemorates one Maggie Clark, born in Glanford, Ontario. George Johnson also was born in this area, where he eventually became a teacher in a local school. The two became engaged and eventually married. The song alludes to features in the countryside there, including an old sawmill located on a creek near Maggie's home. After marriage the two moved to Cleveland, but Maggie died less than a year later (in May 1865). She was buried near her old home, and Washington too came home to Canada, where he was a Professor at the University of Toronto. The poem was first published in 1864. After his wife's death, Washington arranged for it to be set to music by Butterfield, who then lived in Detroit. He was a music teacher and minor composer, whose numerous other works are largely forgotten. The poem and the song attained great popularity in post-Civil War America. Maggie's sister published this background information in 1941, in response apparently to various erroneous tales of its origins that had circulated.
When You Come Back (words and music by George M. Cohan)
- B 22256-1 (24 September 1918)
- B 22256-2, -3 (25 September 1918)
When You Gave Your (Heart to Me) (words and music by Arthur R. Grant)
- B 25352-1, -2 (16 June 1921)
When You Look in the Heart of a Rose (from "The Better 'ole") (Marian Gillespie/Florence Methven)
- B 22690-1, -2 (16 April 1919)
- Note: The title of the show from which this song is taken refers to a Hole, meaning foxhole, with its aitch dropped (as an indication of the dialect of the speaker(s). Clarification supplied by Miles Kreuger.
When You Wish Upon a Star (from "Pinocchio")(Ned Washington/Leigh Harline)
- OEA 8525-1, -2 (12 April 1940)
When You're in Love (Walter Donaldson/Walter Blaufuss)
- BVE 38731-1, -2 (6 May 1927)
Where Blooms the Rose (Arlo Bates/Clayton Johns)
- B 24035-1, -2 (5 May 1920), with Fritz Kreisler, violin
Where the Rainbow Ends (Clifford Grey/Nathaniel D. Ayer)
- B 28602-1, -2 (24 September 1923)
Where the River Shannon Flows (words and music by James I. Russell)
- B 12761-1, -2 (2 January 1913)
Where the River Shannon Meets the Sea, see Shannon River
Wher'er you walk, see SEMELE
White in the Moon the Long Road Lies (No. VII from "A Shropshire Lad")(A. E. Housman/Arthur Somervell)
- OEA 9204-1 (6 March 1941)
White Peace, The (William Sharp writing as Fiona MacCleod/Arnold Bax)
- OEA 9327-1, -2 (25 June 1941)
Who is Sylvia? ("Was ist Sylvia")(William Shakespeare/Franz Schubert, D. 891)
- Bb 11342-1, -2 (2 September 1927)
- CVE 49214-1, -2 (partial matrix) (8 November 1928)
- CVE 49214-3 (partial matrix) (6 December 1928)
- CVE 49214-4, -5 (partial matrix) (7 December 1928)
Who Knows (Paul Laurence Dunbar/Ernest R. Ball)
- B 14665-1, -2 (6 April 1914)
Widmung (O Thank Not Me) (Wolfgang Müller/Robert Franz, Op. 14, No. 1)
- B 28612-1 (26 Septe